Pastinha was born to José Pastinha, a poor Spanishimmigrant who worked as a pedlar and Eugênia Maria de Carvalho Ferreira, a black Bahian homemaker. He was exposed to Capoeira at the age of 8 by an African named Benedito. The story goes that an older and stronger boy from Pastinha's neighborhood would often bully and beat him up. One day Benedito saw the aggression that Pastinha suffered, and then told him to stop by his house because he was going to teach him a few things. In his next encounter with that boy, Pastinha defeated him so quickly that the older boy became his admirer. From then on, Pastinha had a happy and modest childhood. In the mornings he would take art classes at the Liceu de Artes e Ofício school where he learned to paint; afternoons were spent playing with kites and practicing Capoeira. He continued his training with Benedito for three more years.
In 1941, by Aberrê's invitation, Pastinha went to a Sunday roda at ladeira do Gengibirra located at bairro da Liberdade, where the best Capoeira mestres would hang out. Aberrê was already famous in these rodas, and after spending the afternoon there, one of the greatest mestres of Bahia, Amorzinho, asked Pastinha to take charge of Capoeira Angola. As a result, in 1941 Pastinha founded the first Angola school, the Centro Esportivo de Capoeira Angola, located at the Pelourinho. His students would wear black pants and yellow T-shirts, the same color as the Esporte Clube Ypiranga, his favorite soccer club. In March 1963 former executive-secretary of the Danish-Brazilian Chamber of Commerce in São Paulo, Mr. Preben Mailand Christensen, was recommended visiting Mestre Pastinha during travels in Brazil, in those days the most famous capoeirista of Brazil. During the visit he offered a personal show by himself and the alumni, and Christensen was given Mestre Pastinha's personal, red calling card with his picture, and presented with one of his own, old, well-used Berimbaus, both still in Christensen's possession, eventually available as photographed/scanned files. In 1963, according to his calling card, he used the expression "Academia Capoeira Angola" for his school in Pelourinho 19, Salvador-BA. He was then 74 years and still very much in good shape. He participated with the Brazilian delegation of the "First International Festival de Artes Negras" in Dakar, Senegal, bringing with him João Grande, Gato Preto, Gildo Alfinete, Roberto Satanás and Camafeu de Oxossi.
Twilight Years
Pastinha worked as shoeshiner, tailor, gold prospector, security guard at a gambling house and construction worker at the Porto de Salvador to support himself financially so that he could do what he loved the most, to be an Angoleiro. Eventually Pastinha's academy fell on hard times. Pastinha, old, sick and almost totally blind, was asked by the government to vacate his building for renovations. But the space was never returned to him. Instead it became a restaurant and entertainment outlet. Pastinha died a broken man and bitter about his treatment, but never regretted living the life of a Capoeirista. Pastinha was left abandoned in a city shelter. Having dedicated his entire life to Capoeira Angola, he played his last game of Capoeira on April 12, 1981. Pastinha, the father and protector of Capoeira Angola, died at the age of 92 on November 13, 1981. He was survived by two of his most learned students, João Grande and João Pequeno who continued to share Pastinha's Capoeira Angola with the world. C. Daniel Dawson would later write, Excerpt from Capoeira Angola and Mestre João Grande by C. Daniel Dawson
Lineage
The concept of lineage is one that is of primary importance to the practitioners of Capoeira Angola. Lineage, the chain of teachers and students, defines a person's place in the Capoeira community, and structures a school's teachings and philosophies. Styles may evolve differently through different teachers, who, in turn, pass these new styles on to their own students. Although there existed a number of other Angola mestres during his time in Pelourinho, Pastinha's school can be considered the most influential in shaping Capoeira Angola into what it is today. Most mestres of Capoeira Angola can trace their lineage back to Pastinha.
