Tropical Fuck Storm


Tropical Fuck Storm are an Australian band from Melbourne, Victoria, formed by Gareth Liddiard and Fiona Kitschin while on hiatus from the blues punk band The Drones. Lauren Hammel, from the band High Tension, plays drums, and Erica Dunn, from the bands MOD CON, Harmony and Palm Springs, plays guitars, keyboards, and other instruments. Their sound is characterized by elements of Art punk, noise rock and experimental rock.

Biography

Looking to reboot creatively, The Drones took a break at the end of their tour supporting Feelin' Kinda Free in December 2016. The following year, Drones founder Gareth Liddiard and longtime bandmate Fiona Kitschin started writing material for a new project under the name for the record label they'd coined to self-release the last Drones album. They recruited Erica Dunn and Lauren Hammel during the summer of 2017, before embarking on an American tour. According to Dunn, "They just rang me up. Gareth and Fi were on loudspeaker like excited children. The pitch was 'Do you want to play guitar? We’re just going to do some weird shit.' And I was like 'Okay, sure.' Then Gareth said 'We might go to America in the next month, are you free? And we have to write some songs.' Sure I'll clear my schedule. Hammer was a bit different though, because didn't know her and he had to take her to the pub."
They released a series of 7-inch singles later that autumn while on tour with Band of Horses and King Gizzard & the Lizard Wizard in the US. Their debut album, A Laughing Death in Meatspace, dropped in March 2018 and the band signed with Joyful Noise Recordings shortly thereafter. "The album title links "meatspace" – as Silicon Valley engineers derogatorily refer to the physical realm – with a neurodegenerative disorder called kuru, once found in the Fore people of Papua New Guinea. Men would eat the muscles of the deceased, while women and children ate the brains, thereby inheriting Creutzfeldt-Jakob disease and pot-holing their own grey matter to such an extent that they lost control of their emotions and laughed themselves to death." Videos for the songs "You Let My Tyres Down", "Rubber Bullies" and "Soft Power" were released that spring.
The album received positive reviews one writing that "Starting a new project unencumbered by the Drones’ name or weighty reputation seems to have given Liddiard the freedom to jettison the last remaining trappings of rock traditionalism in his songwriting and let loose, with impressive results." The Quietus ranked it #8 out of 100 entries on their list of "Albums of the Year So Far 2018", writing that it's "hot with anger and full of ugly truths about the ways we live our livesthe effect is compelling." Greil Marcus wrote that the album makes "as fierce a band as" The Drones "seem austere" in comparison, writing that "the explosions in "Two Afternoons," "A Laughing Death," and "Rubber Bullies" are glorious and frightening, so big they don't feel quite real, but there's a story trying to climb out of the noise, carried by Liddiard's weariness, his uncynical fatalism, but shaped by the counter-vocals of Kitschin and Dunn", ending by saying that "you can feel as if this is what history sounds like as it's being written." As of January 2019, it is also the highest ranked punk blues album of the decade on the website Rate Your Music, based on over 3500 ratings.
In March 2019, the band released a new single, "The Planet of Straw Men". It is taken from their second studio album, Braindrops, which was released on 23 August 2019 by Joyful Noise for global distribution and by King Gizzard & the Lizard Wizard's Flightless record label in Australia. It included the previous released single Paradise, and the song "The Happiest Guy Around", which was ultimately featured as one half of a split single with Liars, the 18th instalment of the LAMC series of 7-inch singles curated by Famous Class Records
Treble magazine, in a review published on 12 August 2019, named Braindrops their "Album of the Week" praising the track "Paradise" as "a sickly mirage of an oasis—you can practically see the disspiating heat haze over Liddiard's trickling guitar riffs. It slowly escalates its way toward a furious climax, turning into one of the most explosive break-up songs in recent memory". The review concludes: "Tropical Fuck Storm invite the chaos, orchestrating it, manipulating it, delivering a piece of mangled and bruised art that sounds magnificent at its most frayed and fragmented. It's a weirdness that feels strangely assuring, even necessary." NARC Magazine gave the album a perfect score, writing that it "pretty much cements the Australians as one of the most vital acts on the planet right now." Exclaim! called it "a psychedelic rock opera occasionally dipping its toes in the stream of electro-punk. The result is equal parts harrowing and electrifying, surreal and far too familiar." According to Paste, "istening to Braindrops feels like watching a sped-up timeline of rising sea levels and melting glaciers set to long-lost field recordings of maximalist noise-rock from the Outback. You're listening to a world falling apart." Braindrops, writes The Line of Best Fit, "is as cerebral and gut-level as its name implies, high-minded and high volume, a grand mess that isn't really a mess at all."
In an interview with Konbini, Iggy Pop praised the title track of the album, simply calling it "a good fuck". Both Michael Feuerstack and Conan Neutron called it one of their favourite albums of the year, with the latter calling it "an utterly befuddling and “wrong” sounding record that is oh so “right.” There isn't a clear monster single like “tyres” on this one, but the whole thing has a snakey, baked in the sun vibe that works its way into your subconscious."
On March 15th, 2020 TFS released "Suburbiopia", a song about suicide cults. “The lyrical trajectory started as a total shamoz,” Liddiard said of the song. “We all started it at breakfast one morning. But at about 11am I took a shower and the concept came to me. I thought ‘What if all those nutty cults with their fucked up suicide escape plans weren’t wrong and everybody else accusing them of being insane was wrong? It’s timely not ’cause of the cult thing but because it’s probably a good time to leave the planet.'”
In April of 2020 the band shaded a cover of This Perfect Day by The Saints. Featuring Amy Taylor of Amyl and the Sniffers.

Members

Studio albums