Thomas Tellefsen
Thomas Dyke Acland Tellefsen was a Norwegian pianist and composer. As a composer Tellefsen wrote 44 opuses: solo piano works, two piano concertos, and chamber music. He dedicated many of his compositions to the Polish, Russian, and French aristocracy.
Life
Thomas Tellefsen, the youngest of six siblings, was born in Trondheim, Norway, where he studied with his father, the organist Johan Christian Tellefsen, and with Ole Andreas Lindeman. Thomas gave his first public concert in his home town in the spring of 1842. Shortly after, he went to Paris, where he became the pupil of his compatriot Charlotte Thygeson, and later attended some of Friedrich Kalkbrenner's classes. During the years 1844 to 1847, he was taught periodically by Frédéric Chopin, who also became his personal friend and had considerable influence on his musical taste, style of playing, and compositions.Duchess Marcelina Czartoryska took him to the Hôtel Lambert in Paris, where he made his debut as a pianist with great success on 29 April 1851. Soon after that, Tellefsen became regarded as one of the outstanding pianists of his time, and was especially admired as an interpreter of Chopin's music. When Chopin died in 1849, Tellefsen took over some of his teacher's pupils, including Jane Stirling. In the 1850s and 1860s, Tellefsen was regarded as a very successful pianist, and he toured several times in England, Sweden, and Norway. He died in Paris, and is buried at the Cimetière d´Auteuil.
Compositions
Among his published works, Tellefsen wrote sixteen mazurkas, five chamber music works, composed between 1854 and 1867. He also wrote two piano concertos, the first in 1848 and the second in 1853, six waltzes, four nocturnes, three études, and a number of larger works and salon pieces, which were written for the teaching of his pupils.Works with opus number
Works without opus number
Tellefsen's works without opus number are either piano studies or liturgical pieces. His Moderato, written in 1842, is one of his first attempts in composition. Another collection of works consists of twenty-one short fughettas, versetti and cantabile pieces, suitable in length in Roman Catholic and Lutheran services during the time they were written. The versetti are organ verses played in alternation with sung verses of hymns. The preludes were played for organ or piano with pedal. They were used as preludes and postludes, while a cantabile piece might also appear after the sermon as an introduction to the next hymn. Variations on hymn tunes are a much-used form in church services as well.| Title | Number | Key | Tempo markings | Genre | Year | Notes |
| Valse | — | A major | — | Piano solo | — | — |
| Moderato | — | — | — | Piano solo | 1842 | — |
| Choral variations on the hymn "Kimer, I klokker" | — | G major | — | Piano solo | — | |
| Prelude | — | G major | Allegro moderato | Piano solo | — | — |
| Lento - Allegro moderato - Tempo primo | — | — | — | Piano solo | — | — |
| Larghetto | — | — | — | Piano solo | — | — |
| Prelude | — | G major | — | Piano solo | — | — |
| Suite: Prelude, Versette, Prelude 2, Prelude da capo | — | G minor | — | Piano solo | — | — |
| Fughetta'r, Versettes & Cantabilla | Fughetta I | C major | — | Piano solo | — | |
| Fughetta'r, Versettes & Cantabilla | Fughetta II | C major | — | Piano solo | — | |
| Fughetta'r, Versettes & Cantabilla | Fughetta III | C major | — | Piano solo | — | |
| Fughetta'r, Versettes & Cantabilla | Fughetta IV | A minor | — | Piano solo | — | |
| Fughetta'r, Versettes & Cantabilla | Fughetta V | A minor | — | Piano solo | — | |
| Fughetta'r, Versettes & Cantabilla | Fughetta VI | A minor | — | Piano solo | — | |
| Fughetta'r, Versettes & Cantabilla | Fugheta VII | A minor | — | Piano solo | — | |
| Fughetta'r, Versettes & Cantabilla | Versette | G minor | — | Piano solo | — | |
| Fughetta'r, Versettes & Cantabilla | Fughetta VIII | G minor | — | Piano solo | — | |
| Fughetta'r, Versettes & Cantabilla | Cantabille | G minor | — | Piano solo | — | |
| Fughetta'r, Versettes & Cantabilla | Fughetta IX | G major | — | Piano solo | — | |
| Fughetta'r, Versettes & Cantabilla | Fughetta X | G major | — | Piano solo | — | |
| Fughetta'r, Versettes & Cantabilla | Fughetta XI | G major | — | Piano solo | — | |
| Fughetta'r, Versettes & Cantabilla | Cantabille | C major | — | Piano solo | — | |
| Fughetta'r, Versettes & Cantabilla | Cantabille | D major | — | Piano solo | — | |
| Fughetta'r, Versettes & Cantabilla | Fughetta XII | D dorian | — | Piano solo | — | |
| Fughetta'r, Versettes & Cantabilla | Interlude | D dorian | — | Piano solo | — | |
| Fughetta'r, Versettes & Cantabilla | Fughetta XIII | D dorian | — | Piano solo | — | |
| Fughetta'r, Versettes & Cantabilla | Versette | D minor | — | Piano solo | — | |
| Fughetta'r, Versettes & Cantabilla | Fughetta XIV | D minor | — | Piano solo | — | |
| Fughetta'r, Versettes & Cantabilla | Fughetta XV | E minor | — | Piano solo | — | |
| Prelude to Fugue | — | — | — | Piano solo | — | — |
| A Minor Variation | — | — | — | Piano solo | — | — |
| Waltz | — | A minor | — | Piano solo | — | — |
| Adagio | — | D major | — | Piano solo | — | — |
| Prelude | — | G minor | — | Piano solo | — | — |
| Preludio Andantino - mixolidian d - da capo al fine | — | E minor | — | Piano solo | — | — |
| Preludio I | — | G major | — | Piano solo | — | — |
| Prelude | — | D major | — | Piano solo | — | — |
| Prelude | — | E | — | Piano solo | — | |
| Fuga | — | D | — | Piano solo | — | |
| Prelude II | — | G major | — | Piano solo | — | — |
| Adagio | — | D minor | Alla breve | Piano solo | — | — |
| Prelude III' | — | G major | — | Piano solo | — | — |
| Interlude | — | C major | — | Piano solo | — | — |
| Variations on the Hymn "Jesus styr du mine tanker" | — | G major | — | Piano solo | — | |
| Prelude on the Hymn "I Jesu Navn"'' | — | G minor | — | Piano solo | — |