The Red House (film)
The Red House, also known as No Trespassing, is a 1947 psychological thriller film directed by Delmer Daves, starring Edward G. Robinson and Lon McCallister. It is adapted from the 1945 novel The Red House by George Agnew Chamberlain.
Plot
Handicapped farmer Pete Morgan and sister Ellen live on an isolated farm with their adopted daughter, Meg. They keep to themselves and are viewed as mysterious by the nearby town. Now a teenager, Meg convinces Pete to hire one of her 12th-grade high school classmates, Nath Storm, to come help with chores on the farm. On the first evening, when it is time for him to go home, Nath says he is going to take a shortcut through the old woods. The woods are part of Pete's property and he forbids anyone from entering them. Pete becomes agitated, insisting the woods are dangerous and contain a haunted house which is painted red, and that Nath must stay out.After traveling through the woods in the dark, Nath returns spooked, after hearing moans and yells. However, a few days later, he is embarrassed at his cowardice and goes through the woods again after dark. Nath is struck from behind and knocked down into a stream. He returns to the farm believing that Pete hit him, but Meg and Ellen say Pete has been in the room with them since Nath left. Soon, both Nath and Meg become obsessed with searching for the mysterious "red house" and agree to go into the woods every Sunday, which is the one day Nath has some free time, to look for it. They have no luck.
In the meantime, Meg begins to fall in love with Nath, but his jealous and shrewd girlfriend Tibby has other plans for him. Meanwhile, it is revealed that Pete has secretly given local handyman and petty thug Teller rights to hunt on the land, as long as he keeps everyone else off of the property.
, Allene Roberts, Edward G. Robinson and Judith Anderson in The Red House
One Sunday, Nath cannot get out of a date with Tibby, so Meg goes off on her own to look for the red house. She finds it located in a small gully a few miles from Pete's farm along an unused dirt road. Teller fires at her to scare her away. Running away, Meg falls and breaks her leg. That evening, when Meg does not return, Nath ventures into the woods to find her and brings her back to the farm. Pete is furious that both young people defied his warning to stay out of the woods and he outright fires Nath, banishing him from the farm and from seeing Meg again.
Some time later, Nath has been working for his mother at a local general store in town. With Nath's encouragement, his mother marries a long-time admirer and goes off for several weeks on her honeymoon, leaving Nath to mind the store. Nath soon takes additional work for the summer at another farm close to town. As Meg recovers from her broken leg, Pete begins to crack up. He starts calling her Jeannie, and becomes controlling and domineering. Ellen and Pete have a conversation about how it was that several years ago they rented the red house to a young couple. Pete was having an affair with the wife, Jeannie.
Nath catches Tibby flirting with Teller and sucker punches him. Nath confronts her and finally learns how vain and selfish she is. Teller then punches Nath, while Tibby watches with satisfaction.
One evening, Ellen decides to burn the red house down, and end Pete's obsession. As she walks through the woods, Teller, mistaking her for Nath, shoots and severely wounds her. Meg, having heard the gunshot, finds Ellen then rushes back to tell Pete, who refuses to act to help his sister. Meg phones Nath for help and he says he will bring a stretcher after he calls the sheriff and the doctor. Pete fails to dissuade Meg from returning to the woods. By the time Nath arrives, Ellen is dead. In the meantime, Teller goes to Tibby's home and persuades her to leave town with him. They are pulled over and arrested by the state police.
Meg and Nath bring Ellen's body back. Meg demands the truth about the red house and who Jeannie is. Pete finally confesses that Ellen had been keeping the secret for him, about having had an affair with a married woman named Jeannie and what had happened to her and the husband. After the man discovered the affair, the couple decided to move away. Pete went to the red house to plead with Jeannie to choose between her husband and him. As they heard her husband returning, Jeannie began screaming. To stop her, Pete covered her mouth, but suffocated her. While Pete claims that he was just trying to keep her quiet and that her death was accidental, he admits that he subsequently killed the husband in cold blood. Pete buried the bodies in the basement of the ice house that sits next to the red house, and he lives in fear that they will be discovered. However, since Jeannie's husband told everyone they were leaving town, no one ever suspected they were murdered. The couple had a baby, Meg, and rather than abandon the infant, Pete and Ellen adopted her.
Pete takes Meg to the red house. By this point, he has completely gone crazy and thinks Meg is actually Jeannie, who is leaving him again. He begins to re-live the experience, puts his hand over her mouth and starts suffocating her. Nath and the sheriff show up in the nick of time. Pete takes off in his truck, but drives into the ice house, where the truck sinks in the large pond formed by the melted ice, and Pete drowns.
The final scene shows Nath and Meg a few days later, talking about starting a new life together as they watch the smoke from the red house, which Nath has burned down in keeping with Ellen's wishes. Nath tells Meg "Looking forward is much better than looking back." Kiss, embrace, fade out, the end.
Cast
- Edward G. Robinson as Pete Morgan
- Lon McCallister as Nath Storm
- Judith Anderson as Ellen Morgan
- Rory Calhoun as Teller
- Allene Roberts as Meg
- Julie London as Tibby
- Ona Munson as Mrs. Storm
- Harry Shannon as Dr. Jonathan Byrne
- Arthur Space as The Sheriff
- Pat Flaherty as Motorcycle Cop
- Walter Sande as Don Brent
Reception
Critical response
A. H. Weiler in The New York Times enjoyed the picture, calling it "an edifying offering, which should supply horror-hungry audiences with the chills of the month...told intelligently and with mounting tension," citing an "excellent" Edward G. Robinson, Judith Anderson's "taut performance," a "fine" Lon McCallister and a "uniformly good cast Delmar Daves' fluid direction...and an appropriately macabre musical assist from Miklos Rozsa."Critic Dave Sindelar gives the film a positive review: "It's not perfect; it's a little too long, so you end up figuring some of the final revelations before you should, and it gets a little repetitive at times, but the strong acting and some memorable images make it worth the investment."
The film is also praised as a "Murky psychological thriller with resonant settings and an emotive Rózsa score".
Copyright status
Chamberlain's 1943 novel has no copyright registration at the Library of Congress. The five issues of The Saturday Evening Post in which the story was serialized were registered for copyright by The Curtis Publishing Co.; the copyrights of all five issues were renewed in 1973 by The Saturday Evening Post Company.The movie was registered for copyright by Thalia Productions ; that copyright was not renewed.
The film was highlighted in episode 1 of Martin Scorsese's documentary film A Personal Journey with Martin Scorsese Through American Movies.