"The Magnificent Seven" is a song by the English punk rock bandthe Clash. Released in 1981, it was the third single from the Clash's fourth album, Sandinista!. It reached number 34 on the UK Singles Chart. The song was inspired by old school hip hop acts from New York City, like the Sugarhill Gang and Grandmaster Flash & the Furious Five. Rap was still a new and emerging music genre at the time, and the band, especially Mick Jones, was very impressed with it, so much so that Jones took to carrying a boombox around and got the nickname "Whack Attack". "The Magnificent Seven" was recorded in April 1980 at Electric Lady Studios in New York City, built around a funky bass loop played by Norman Watt-Roy of the Blockheads. Joe Strummer wrote the words on the spot, a technique that was also used to create Sandinista!'s other rap track, "Lightning Strikes ". The song represents the first attempt by a rock band to write and perform original rap music, and one of the earliest examples of hip hop records with political and social content. It is the first major white rap record, predating the recording of Blondie's "Rapture" by six months. Strummer said of the group's encounter with hip hop: Though it failed to chart in America, the song was a hit on underground and college radio. Music critic Jeff Chang wrote that in New York City, the song "had become an unlikely hit on the Black radio station, WBLS." Also popular were various dance remixes, including the official B-side and original DJ remixes. WBLS' "Dirty Harry" remix appears on various Clash bootlegs, including Clash on Broadway Disc 4: The Outtakes. The single was reissued in 1981 with "Stop the World" as its B-side and with different sleeve art.
The Magnificent Dance
"The Magnificent Dance", released on 12 April 1981 by CBS in 12-inch single format, is the dance remix of "The Magnificent Seven". The maxi single was released in the UK featuring an edited version of "The Magnificent Seven" on side A, and in the U.S., where it was backed with the extended version of "The Cool Out". It is credited to "Pepe Unidos", a pseudonym for Strummer, Paul Simonon and manager Bernie Rhodes. "Pepe Unidos" also produced "The Cool Out", a remix of "The Call Up". This dance version "definitely capitalized on the funky groove of the original, adding in some very cool drumming." In 2015, Pitchfork Media included the song on its "Early 80's Disco" playlist, saying "if they were bored with the USA in 1977, four years on, they were also bored with both punk and rock. Instead, they became infatuated with NYC street culture, from early hip-hop to post-disco. This dubbed-out disco remix of the lead track off of Sandinista! was a club hit and the record Larry Levan would use to fine tune the sound system at the Paradise Garage."
