During 1955 and 1956, a condensed radio dramatisation of The Lord of the Rings was broadcast in twelve episodes on BBC Radio's the Third Programme. These radio broadcasts were the first dramatisation of The Lord of the Rings, a book by J. R. R. Tolkien, the final volume of which, The Return of the King, had been published in October 1955. Since the BBCdid not generally keep long-term archives of its productions at that time, no copies of the adaptation are known to have survived. The first part of the story, The Fellowship of the Ring, was broadcast in six episodes in 1955. The final two volumes, The Two Towers and The Return of the King were covered in six episodes broadcast in 1956. Both series of broadcasts were adapted and produced by Terence Tiller, who corresponded with Tolkien for advice concerning the second series. This was the only adaptation out of several released which Tolkien lived to see, as he died in 1973. Radio was the dominant broadcast medium in the United Kingdom at the time, and the broadcasts helped to publicise the books. The broadcasts were discussed on the BBC programme The Critics, and discussion of the broadcasts brought them to the attention of a Mr Sam Gamgee, who subsequently wrote to Tolkien to ask about the origin of the name of the character Sam Gamgee. The cast included Norman Shelley as Gandalf and Tom Bombadil, Felix Felton as Bilbo and Sauron and Robert Farquharson as Saruman and Denethor.
Quotes from J. R. R. Tolkien
The author's opinion on these broadcasts was revealed in several letters he wrote, which were posthumously published in 1981 in The Letters of J. R. R. Tolkien. "I think the book quite unsuitable for 'dramatization', and have not enjoyed the broadcasts—though they have improved. I thought Tom Bombadil dreadful—but worse still was the announcer's preliminary remarks that Goldberry was his daughter, and that Willowman was an ally of Mordor." "I think poorly of the broadcast adaptations. Except for a few details I think they are not well done, even granted the script and the legitimacy of the enterprise. But they took some trouble with the names. I thought that the dwarf was not too bad, if a bit exaggerated." : "I paid great attention to such linguistic differentiation as was possible: in diction, idiom and so on; and I doubt if much more can be imported, except in so far as the individual actor represents his feeling for the character in tone and style." : "Here is a book very unsuitable for dramatic or semi-dramatic representation. If that is attempted, it needs more space, a lot of space. Personally, I think it requires rather the older art of the reading 'mime', than the more nearly dramatic, which results in too great an emphasis on dialogue. I feel you have had a very hard task." : "I think I should find vulgarization less painful than the sillification achieved by the B.B.C."
