Schnitzler completed the play in 1900, but did not intend it to be performed, even calling the series of scenes 'unprintable', he intended them to be read by friends. The play was too sexually explicit to be performed at the time. Subsequently, it was read and then performed in private. Its first public performance in 1921, under the now accepted title Reigen, was closed down by the Vienna police—Schnitzler was prosecuted for obscenity. Reigen was meant as a dramatic expose of the decadence of the Austrian society. Schnitzler, being a doctor approached the decadence of society from a medical point of view, studying the journey of Syphilis through all classes of society. The title Reigen would be best translated as 'round-dance' or 'roundelay'. This refers to the daisy chain of sexual encounters, which also determines the format of the play. It is divided into ten scenes and each scene holds two characters and their sexual encounter. The following scene contains one character of the previous scene and a new one. A has sex with B, B has sex with C and so on; until in the tenth scene the circle closes with J having sex with A.
Hare's adaptation
Hare's adaptation, called The Blue Room, transfers the action from Vienna to 'one of the great cities of the world, in the present day'. The characters change accordingly, the soldier becomes a cab driver, the parlour maid becomes an au pair, etc... Hare's major difference from the original piece is the idea of performing it as a two-person show. Hare states himself that he was not the first person to do so. In 1981 when the theatrical rights fell temporarily out of copyright several stage versions were crafted and performed. Otherwise Hare's adaptation is not far from the original.
Syphilis or any other sexually transmitted disease is never explicitly mentioned in either Schnitzler's original or Hare's adaptation. Scene VI contains the only reference to this when the politician is concerned about 'hygiene' having just slept with the model. Sam Mendes had asked Hare to adapt Schnitzler's Reigen. The 1950 movie La Ronde by Max Ophüls was also based on Reigen and has influenced many stage adaptations, including The Blue Room.
Hare's adaptation was first performed at the Donmar Warehouse, London, on 10 September 1998 with Nicole Kidman and Iain Glen in lead roles. It was directed by Sam Mendes, designed by Mark Thompson, lit by Hugh Vanstone with music by Paddy Cunneen. London critic Charles Spencer's review for the Daily Telegraph concluded with the now iconic phrase, "It's pure theatrical Viagra." The production was a commercial success and on 13 December of that year moved to the Cort Theatre on Broadway, New York, but received mixed reviews. Kidman's brief nude appearance, a short flash of her buttocks on a semi dark stage, caused a hullabaloo and attributed for brisk ticket sales. Glen's full frontal nudity while cartwheeling attracted far less attention. Several reviewers commented on the best seats to view Kidman's backside. Hare's play was also performed to critical acclaim in Australia in 2002 with Sigrid Thornton and Marcus Graham in the two lead roles, and directed by Simon Phillips. The Sydney performances took place at the Theatre Royal after a run in Melbourne. The nude scenes and Thornton's "sexy" body were also noted. The independent film was structurally inspired by The Blue Room. Screenwriter Mark Zdancewicz transplanted the play's daisy chain structure into the modern office environment. The film, directed by Jason Sherry, follows a series of rotating cubicle partners over the course of a year.
