Terry Watada is a Toronto writer with many productions and publications to his credit. His publications include Light at a Window, The Game of 100 Ghosts, The Sword, the Medal and the Rosary, The TBC: the Toronto Buddhist Church 1995-2010, Kuroshio: The Blood of Foxes, Obon: the Festival of the Dead, Ten Thousand Views of Rain, Seeing the Invisible, Daruma Days, Bukkyo Tozen: a History of Buddhism in Canada and A Thousand Homes. As a playwright, he has seen five of his plays receive a mainstage production, starting with Dear Wes/Love Muriel during the Earth Spirit Festival at Harbourfront in 1991. Perhaps his best known is Vincent, a play about a Toronto family dealing with a son with schizophrenia. It has been remounted several times since its première in 1993. Most notably, it was produced at the National Arts Centre in Ottawa and the first Madness and Arts World Festival in Toronto. The second Madness and the Arts World Festival invited Vincent to be included in its program in Münster, Germany, during May 2006. His other plays include Mukashi Banashi I and II and Tale of a Mask. 2017 will see the remount of his play Vincent to celebrate the 30th anniversary of the Workman Project. His second novel, The Three Pleasures, was released in the fall of 2017. The book received glowing reviews from the Georgia Straight, the Vancouver Bulletin, the Globe and Mail and the Winnipeg Free Press. "The Three Pleasures" was a finalist for the Foreword Magazine's 2017 Indie Award, honouring the Independent Publishers' best book in various categories. "The Three Pleasures" was a finalist for historical fiction. The novel is in its second printing. He also released his children's book "The Nishga Girl", the story of Judo Jack Tasaka and Eli Gosnell, the chief of the Nisg'a people. It was launched in the fall of 2017 at the Museum of History, Ottawa, Ontario. He looks forward to the publication of his third novel, The Mysterious Dreams of the Dead and his fifth collection of poetry, "The Four Sufferings". Both will be released in 2020. He contributed a monthly column for 25 years in the Nikkei Voice, a national journal. In 2012, he began a regular column for the Vancouver Bulletin after it expanded to a national publication. He was recently contracted to write 12 columns for Discover Nikkei, a publication of the Japanese American National Museum, located in Los Angeles CA> His other essays have been published in such varied magazines, journals and books as Ricepaper, Canadian Literature, Ritsumeikan Hogaku “Kotoba to sonohirogari”, Crossing the Ocean: Japanese American Culture from Past to Present, Jimbun-shoin Press, the National Library of Canada’s website, and Anti-Asian Violence in North America. Perhaps his most notable article appeared in Maclean's Magazine in March 2011. "Aftershock" described his feelings after the Fukushima tsunami. He composed the Japanese-Canadian children’s history section and the Japanese, Chinese, and South-Asian Canadian history sections for the websites. His short memoir about Etsuji Morii and Rikimatsu Kintaro appeared in the anthology "Vancouver Confidential". The book shot to number one on the BC books bestseller lists and stayed there for two consecutive weeks. In its third week, the book went into its second printing and has since sold consistently well. In 2014, he was honoured to have delivered the inaugural Midge Ayukawa Lecture at the University of Victoria. In 2019, he delivered the keynote address at the opening of "Being Japanese Canadian", an exhibit at the Royal Ontario Museum. Essays about his work have appeared in the International Journal of Canadian Studies, Modern Drama, and in Transcultural Reinventions: Asian American and Asian Canadian Short-Story Cycles. In addition to his literary work, Terry Watada is also a singer/songwriter/producer with a number of records to his credit, including: Night's Disgrace, Runaway Horses, Yellow Fever, Living in Paradise and The Art of Protest, among others. His songs dealing with the Japanese/Canadian/American experience have been used as references in Asian-American history course studies at various universities. He has performed at festivals including the 1995 Asian Pacific American Heritage Festival in New York City. 2015 saw the re-release of his seminal album Runaway Horses as a CD. The project was sponsored by the NAJC and the Hastings Park Foundation. His papers, personal, academic, literary and musical, have recently been installed in the East Asian Library Collection, Robarts Library, the University of Toronto. It has been designated as follows: Terry Watada Special Collections. His manuscripts and books are part of the permanent collection of the Thomas Fisher Rare Books Library, Robarts Library. His books have been accepted as part of the permanent collection of the Library of Congress, Washington DC, the Japanese American National Library and Museum and the Stanford University Library in California. His recent community affiliations include member of the Community Consultation Committee for the Landscapes of Injustice Project based in the University of Victoria, community advisor to the National Association of Japanese Canadians, member of the NAJC Art, Culture and Education Committee and advisor for the Japanese Canadian Artists Directory. For his writing, music and community volunteerism, he was awarded the Queen Elizabeth II Diamond Jubilee Medalin 2013. He received in 2014 the Gordon Hirabayashi Human Rights Award, an honour given every two years by the National Association of Japanese Canadians.
