Taylorian Lecture

1889-1899

• 1889: Edward Dowden, “Literary Criticism in France”
• 1890: Walter Pater, “Prosper Mérimée”
• 1891: W. M. Rossetti, “Leopardi”
• 1892: T. W. Rolleston, “Lessing and Modern German Literature”
• 1893 : Stéphane Mallarmé, “La musique et les lettres”
• 1894: Alfred Morel-Fatio, “L'Espagne du Don Quijote”
• 1895: H. R. F. Brown, “Paolo Sarpi”
• 1896 : Paul Bourget, “Gustave Flaubert”
• 1897: C. H. Herford, “Goethe’s Italian Journey”
• 1898: Henry Butler Clarke, “The Spanish Rogue-Story”
• 1899 : W. P. Ker, “Boccaccio”

  1900-1920

• 1900: Émile Verhaeren, "La poésie française actuelle"
• 1901: Arthur Anthony Macdonell, "The Wit and Pathos of Heinrich Heine"
• 1902: James Fitzmaurice-Kelly, “Lope De Vega and Spanish Drama”
• 1903: Henry Calthrop Hollway-Calthrop, “Francesco Petrarcha”
• 1904: George Saintsbury, “Théophile Gautier: a French Man of Letters of All Work”

  1920-1930

• 1920: Edmund Gosse, “Malherbe and the Classical Reaction in the Seventeenth Century”
• 1921: Francis Yvon Eccles, “Racine in England”
• 1922: Sir Henry Thomas, “Shakespeare and Spain”
• 1923: Edmund Garratt Gardner, “Tommaso Campanella and His Poetry”
• 1924: John George Robertson, “The Gods of Greece in German Poetry”
• 1925: Émile Legouis, “G. G. de Beaurieu et son Élève de la nature, 1763”
• 1926: John Cann Bailey, “Carducci”
• 1927: H. A. L. Fisher, “Paul Valéry”
• 1928: Abraham Flexner, “The Burden of Humanism”
• 1929: Oliver Elton, “Chekhov”
• 1930: Percy Ewing Matheson, “German Visitors to England, 1770-1795, and their impressions”

  Since 1930

• 1931: Hilaire Belloc, “On Translation”
• 1932 : George S. Gordon, “St. Evremond”
• 1933: Geoffrey Langdale Bickersteth, “Form, Tone, and Rhythm in Italian Poetry”
• 1934: Mario Roques, “La poésie Roumaine contemporaine”
• 1935: H. W. Garrod, “Tolstoi's Theory of Art”
• 1936: Herbert John Clifford Grierson, “Two Dutch Poets”
• 1937: Sir William Alexander Craigie, “The Art of Poetry in Iceland”
• 1938: Ernest Hoepffner, “Aux origines de la nouvelle française”
• 1939: Edgar Allison Peers, “Antonio Machado”
• 1942: Alf Sommerfelt, “The Written and Spoken Word in Norway”
• 1943: Stanisław Stroński, “La poésie et la réalité aux temps des troubadours”
• 1944: Pieter Sjoerds Gerbrandy, “National and International stability: Althusius, Grotius, van Vollenhoven”
• 1945: Richard McGillivray Dawkins, “The Nature of the Cypriot Chronicle of Leontios Makhairas”
• 1946: H. J. Chaytor, “The Provençal Chanson de Geste”
• 1947: Leonard Ashley Willoughby, “Unity and Continuity in Goethe”
• 1948: John Orr, “The Impact of French upon English”
• 1949: Thomas Mann, “Goethe und die Demokratie”
• 1951: Jean Sarrailh, “La crise religieuse en Espagne à la fin du XVIIIe siècle”
• 1952: Bruno Migliorini, “The Contribution of the Individual to Language”
• 1953: Charles Bruneau, “La prose littéraire de Proust à Camus”
• 1954: Francis Bull, “Ibsen: The Man and the Dramatist”
• 1955: Sir Harold Idris Bell, “The Nature of Poetry as Conceived by the Welsh Bards”
• 1957: Frederick Charles Roe, “Sir Thomas Urquhart and Rabelais”
• 1959: Elizabeth Mary Wilkinson, “Schiller, Poet or Philosopher?”
• 1961: Cecil Maurice Bowra, “Poetry and the First World War”
• 1966: Edward M. Wilson, “Some Aspects of Spanish Literary History”
• 1967: Charles Ralph Boxer, “Some Literary Sources for the History of Brazil in the Eighteenth Century”
• 1968: Walter Höllerer, “Elite und Utopie: Zum 100. Geburtstag Stefan Georges”
• 1971: Carlo Dionisotti, “Europe in Sixteenth-Century Italian Literature”
• 1974: Harry Levin, “Ezra Pound, T. S. Eliot and the European Horizon”
• 1978: R. A. Leigh, “Rousseau and the Problem of Tolerance in the Eighteenth Century”
• 1983: P. E. Russell, “Prince Henry the Navigator: The Rise and Fall of a Culture Hero”
• 1987: Paul Preston, “Salvador de Madariaga and the Quest for Liberty in Spain”
• 1992: Barry Ife, “The New World and the Literary Imagination”
• 2008: Jeffrey Hamburger, “Representations of Reading – Reading Representations: The Female Reader from the Hedwig Codex to Châtillon’s Léopoldine au Livre d’Heures”
• 2009: Maria de Fátima Silva, “Returning to the Classics in Contemporary Portuguese Drama ”
• 2010: Lina Bolzoni, “Of Poetry, Poets and the Magic of Mirrors in the Renaissance”