Stefano Pozzi was an Italian painter, designer, draughtsman and decorator whose career was spent largely in Rome. Born in Rome, he was one of four artist sons of his father, an innkeeper: Rocco was an engraver, with whom Stefano worked on occasion; Andrea, a carver in ivory; Giuseppe was also a painter. Stefano Pozzi studied in the ateliers of two best followers of Carlo Maratta, that of Andrea Procaccini, who departed for Spain in 1720, and then Agostino Masucci. In 1732 Stefano was admitted to the Pontifical Academy of Fine Arts and Letters of the Virtuosi al Pantheon and became its Regent in 1739. In 1736, he was admitted to the Accademia di San Luca, the artist guild in Rome. Pozzi worked primarily for Roman churches; for example, he painted a Blessed Niccolò Albergati for a chapel of the Basilica of Santa Maria Maggiore; eight ovals between the windows for the church of San Silvestro al Quirinale ; the refectory of the Church of San Gregorio Nazareno; a Death of St Joseph for the third chapel of the Church of Santissimo Nome di Maria. He frescoed a Sant'Apollinare in Gloriain the vault of the church of Sant'Apollinare alle Terme, which was rebuilt by Ferdinando Fuga and rededicated in 1748. Among the flock of artists who worked on the Chapel of Pope Sixtus V, he contributed figures of angels in the spandrels of arches. In 1744 he was summoned to Naples by Cardinal Giuseppe Spinelli to decorate the apse of the Cathedral restored by Paolo Posi; for the right wall he painted the large oil of SS Januarius and Agrippino Driving out the Saracens and on the vault, a fresco of a choir of Angels. In subsequent commissions, he worked with the architect Luigi Vanvitelli: in 1744 he produced two paintings for the Montemorcino monastery that Vanvitelli had built for the Olivetans at Perugia : an Annunciation and the Blessed Bernardino Tolomei among the Plague-stricken. In Perugia he frescoed the sacristy of the Church of il Gesù. For the library that Vanvitelli designed for the Palazzo Sciarra–Colonna in Rome, Pozzi painted allegories of the Signs of the Zodiac, and in Palazzo Doria-Pamphilj he decorated the Saletto degli Specchi. Architects Vincenzo Brenna, Giacomo Quarenghi and painter Antonio Cavallucci trained in classic painting at Pozzi workshop. The picture Madonna surrounded by angels and clouds has been recently attributed to him by Dr. Stella Rudolph. Pozzi died in Rome in 1768.
