Sharon Core is an American artist and photographer whose work uses art-historical conventions of landscape, portraiture and still life to examine questions of collective memory, authenticity and authorship, and the interplay between photographic truth and illusion. Core first gained recognition with her Thiebauds series in which she created photographic interpretations of American painter Wayne Thiebaud's renderings of food. Two of her works in the Thiebauds series, Candy Counter 1969 and Confections were acquired by the Solomon R. Guggenheim Museum in 2005.
After studying painting at the University of Georgia, Core moved to Stockholm, Sweden. She then settled in Prague in 1993, where she first practiced photography seriously and created a baking business based in her own apartment. In 1996, she returned to the United States to attend the Yale University School of Art. For her thesis project, which was centered around the ritual of eating, she photographed people consuming their favorite foods. This project led to her early series, Drunk, in which she captured portraits of intoxicated guests at a party she organized as well as those she found at local gatherings. In her series Thiebauds, Core recreated 18 of Wayne Thiebaud's food paintings of the 1960s. She was inspired upon viewing Thiebaud's retrospective at the Whitney Museum of American Art in 2001. The photographs are known for Core's detailed process of preparation and baking in order to replicate the baked goods and other foods of Thiebaud's paintings. Her next series, Early American, remodeled the still lifes of 18th century American painter Raphaelle Peale. Similar to the photographs of Thiebauds, Core again focused on the idea of process, growing the early 19th century produce in Peale's paintings in her greenhouse and collecting period dish ware. She also painted the walls in the backdrop of the photographs to echo Peale's painting techniques. These works were on view at the Yancey Richardson Gallery in New York City from October 23 to December 6, 2008. Core's project 1606-1907 explored three centuries of flower paintings. For her subsequent project "Understory", Core takes inspiration from the seventeenth-century Sottobosco tradition of Dutch paintings of forest floors. According to a description in The New Yorker, "Core's new pictures revel in decay and wildness. Snails slither across bright, wet leaves; pink flowers collapse in a pile of petals; a toad peers from the shadows, camouflaged in the dirt." Core lives and works in Esopus, N.Y.
Legal controversy
According to Robert Panzer, the executive director of the Visual Artists and Galleries Association, "Wayne Thiebaud is concerned with the use that Sharon Core has made of his work...The reproductions she has made are largely straightforward versions of his paintings."
Exhibitions
Core has presented solo exhibitions at spaces across the U.S.:
