The temple is dedicated to Shantadurga, the goddess who mediates between Vishnu and Shiva. The deity is also called 'Santeri' colloquially. Purana talks of a battle between Shiva and Vishnu The battle was so fierce that the God Brahma prayed to Goddess Parvati to intervene, which she did in the form of Shantadurga. Shantadurga placed Vishnu on her right hand and Shiva on her left hand and settled the fight. Shantadurga is holding two serpents, one in each hand, representing Vishnu and Shiva.
Temple
The original temple at Quelossim in Salcete was destroyed by the Portuguese in 1566. The goddess was shifted to Kavalem and worship was continued there. The site on which the original Temple of Shantadurga stood at Quelossim is known as "Deoolbhata" and it is in the possession of the Shree Shantadurga Saunsthan Committee,Kavale. The current temple was constructed during the reign of Maratha Empire King Chattrapati Shahu Maharaj of Satara during the period from 1713 AD to 1738 AD. Naroram Rege Mantri originally from Kochara village in the Vengurla Taluka, was a Mantri in Chattrapati Shahu Maharaj Ashtapradhan Mandal at Satara.Due to his efforts, the village of Kavalem was bequeathed to the Temple by Shrimant Baji Rao I Peshwa in 1738. The Temple reconstruction started around 1730s. The temple complex is on the slope of the foothills of a mountain chain, surrounded by lush vegetation. There is a main temple and three smaller temples of other deities which have been built on three sides of the temple. The temple consists of a collection of pyramidal roofs with a dome. The pillars and floors are made of Kashmir stone. The temple has a huge tank, a Deepastambha and agrashalas. Many renovations have been completed over the years to the main temple and the temples of the other deities as well as to the agrashala. The temple has recently banned entry of foreigners into the temple citing objectionable dressing and conduct as the reason.
Architectural Styles
Its pyramidical shape 'shikaras' rising on the roofs of the facade and the 'Sabhamandap', its roman-arched windows, some of which have the stained-glass window panes of deep red, yellow, blue, green colours, its chandeliers, its gate posts, balustraded flat dome, the maroon-peach-white colour paint of the temple gives the temple a serene beautiful look. The highlight of the temple is its golden palanquin in which the deity is carried on festive occasions.
