The son of the sports journalist Robert Lipsyte, Sam Lipsyte was born in New York City and raised in Closter, New Jersey. He lives in Manhattan and teaches fiction at Columbia University. Lipsyte was an editor at the webzine FEED. His fiction and nonfiction have appeared in The Quarterly, The New Yorker, Harper's, Noon, Tin House, Open City, N+1, Slate, McSweeney's, Esquire, GQ, Bookforum, The New York Times Book Review, The Washington Post, The Los Angeles Times, Nouvelle Revue Française, The Paris Review, , and Playboy, among other places. Lipsyte's work is characterized by its verbal acumen and black humor. His books have been translated into several languages, including French, Russian, Italian, Spanish and Portuguese. His novel The Ask was published in the United States by Farrar, Straus and Giroux in 2010, and in the United Kingdom by Old Street Publishing. In May 2011, HBO announced development of a comedy, "People City," based on Lipsyte's work, with Lipsyte serving as writer and executive producer.
, Four Letter Word: Invented Correspondence from the Edge of Modern Romance, Editors Rosalind Porter, Joshua Knelman, Simon and Schuster, 2008,
, The revolution will be accessorized: BlackBook presents dispatches from the new counterculture, Editor Aaron Hicklin, HarperCollins, 2006,
Reviews
The test for the obsessive prose stylist who lacks an instinctive gift for storytelling is always the same: what's the minimum amount of plot you can get away with and still function within the parameters of a novel? Basically, the more style you have, the less plot you need. So if it takes little time to sketch the plot of Sam Lipsyte's The Ask, that's a backhanded way of saying it's a stylistic tour de force.
On the strength of three previous novels, Lipsyte has fashioned himself as America's bard of highly educated disgruntlement. Like Joseph Heller in "Catch-22," this puppeteer of delusional creatures communicates despair through rapid-fire dialogue, several varieties of non sequitur and cleverly coiled punch lines. "Home Land" is unforgettably structured as a profane collection of rants delivered to the protagonist's high school alumni newsletter. "The Ask" is a far more ambitious social comedy, couched in an economic anxiety that threatens grand-scale emasculation.
Sam Lipsyte’s third novel, “The Ask,” is a dark and jaded beast — the sort of book that, if it were an animal, would be a lumbering, hairy, cryptozoological ape-man with a near-crippling case of elephantiasis.
