Rajkumari Dubey, better known by her first name, Rajkumari, was an Indian playback singer who worked in Hindi cinema of 1930s and 1940s. Best known for her songs, "Sun Bairi Baalam Sach Bol Re" in Bawre Nain, "Ghabaraa Ke Jo Hum Sar Ko Takraayan" in Mahal and "Najariya Ki Maari" in Pakeezah.
Early life
Born in Benaras, she joined the Hindi cinema at age 11, as a child actor in Radhe Shyam aur Zulmi Hans, thereafter she worked in theatre for few years, before returning to films, joining Prakash Pictures as actor and singer. She had much softer and sweeter voice with a narrow range than the leading singers of the time, Zohrabai Ambalewali, Amirbai Karnataki and Shamshad Begum. In the next two decades she sang for 100 films, till the early 1950s, when Lata Mangeshkar changed the playback-singing scene in India.
Career
She was just 10 years old when she recorded her first song for HMV in 1934 and she started her career as a stage artiste. Vijay Bhatt and Shankar Bhatt of Prakash Pictures spotted her during one of her shows. They liked her voice and persuaded her to discontinue acting on stage as it would spoil her voice. So she quit theatre, and became an employee of Prakash Pictures as an actress and singer. Rajkumari's first film with them was a Hindi-Gujarati bilingual called Sansar Leela Nayi Duniya. She got important roles in films like Aankh Ka Tara and Turki Sher. She was the heroine in Bhakt Ke Bhagwan and Insaaf Ki Topi. In those days she often acted opposite Zakaria Khan. She also used to sing for popular music director Lallubhai. He gave music to films starring Rajkumari ji like Nai Duniya, alias Sacred Scandal , Laal Chitthi, alias Red Letter, Bombay Mail, Bambai Ki Sethaani and Shamsheer-e-Arab. She began getting fed up with having to watch on her figure and decided to stick to just singing as a career. After she quit Prakash Pictures, she began playback singing for actresses like Ratnamala, Shobhana Samarth, etc. and soon she became the first female playback singer of Indian cinema. She sang many Gujarati and Punjabi songs. Even though she was not formally trained to sing, she was very good at picking up what her composers taught her. They thought she was a trained singer! She was able to also establish herself as a classical singer and excelled in singing and voice production within the framework of classical forms of thumri and dadra. Among her peers were Shamshad Begum, Zohrabai Ambalewali, Juthika Roy, Zeenat Begum, etc. Both Shamshad and Zohrabai had resounding voices with a high range, while Rajkumari had a soft and very sweet voice with a small range. She sang quite a few songs with Mukesh. She did not get much opportunity to sing with Mohammed Rafi – mainly because Lata Mangeshkar was a fast upcoming singer at the time. She sang with Noor Jehan in Naukar. She never sang with K. C. Dey, but she did sing songs composed by him, as well as his nephew, Manna Dey.
Later life
Rajkumari was married very late in life. Her husband was V.K. Dubey who was from Benares, where he spent a lot of his time, while she settled in Bombay. He later joined her in Bombay. Rajkumari Dubey died in 2000. During her career, she would go on to sing songs for Neel Kamal, a Raj Kapoor and Madhubala starrer, and Hulchul ; but her two most famous films would be Bawre Nain, where she sang for Geeta Bali "Sun Bairi Baalam Sach Bol Re" and Mahal. By this time, however, Lata Mangeshkar and Asha Bhosle had shot to fame, relegating most other female singers in the industry to the sidelines. She sang her only song for O. P. Nayyar in the 1952 movieAasmaan, which was his debut movie; "Jab Se Pee Piya Aan Base". The story goes that he was considering Lata Mangeshkar for the song.. When somebody told this to Lata, she said something about him which led to a misunderstanding. Angered, O. P. Nayyar made Rajkumari sing this song and never repeated her. He never used Lata to sing for him as well. Rajkumari endured a long dry spell until music director Naushad spotted her singing in the chorus for his background score for Pakeezah. Naushad was much taken aback by this, having greatly respected her in her heyday, and heartbroken to hear that she was reduced to singing in the chorus to make ends meet. As a result, he gave her an entire song to herself in Pakeezah, Najariya ki Mari. Her last film song was recorded for R. D. Burman in the film Kitaab; "Har Din Jo Beeta". Rajkumari also appeared in a British TV programme called Mahfil on Channel 4, a Samandar Films production, produced by Firdous Ali and Mahmood Jamal. In this programme, she sang a set of her famous film songs and ghazals; the caption on one of the songs, "Yeh raat phir na aayge", from the film Mahal, cites that the song was pictured on Zohra. The programme was aired on 24 March 1991. Rajkumari died in poverty in early 2000.
