Raúl Lozza
Elbio Raúl Lozza was an Argentinian painter, draughtsman, designer, journalist, and theorist who was part of the concrete art movement. He was part of the Asociación Arte Concreto-Invención. He was the founder of the Perceptivist group.
Early life and education
Lozza was born in the town of Alberti in the Buenos Aires Province of Argentina, to parents Rafael Carlos Lozza, a designer, muralist, painter, paper-maker and musician, and Emma Lozza. Lozza's father had emigrated from the Lombardy region of Italy and his mother was the daughter of Italian immigrants. Lozza had two brothers: Rafael Obdulio Lozza and Rembrandt Van Dyck Lozza.The family faced economic hardship after a tornado destroyed a theatre and other buildings Rafael Lozza had been working on. They continued to face economic hardship as Lozza's mother suffered from deteriorating mental health issues, which led to her being institutionalized in 1920, after which she escaped and disappeared. In 1923, Lozza's father committed suicide. Lozza and his brothers went to live with their maternal aunt, Amalia Righetti, and uncle, where they worked on their farm.
In 1925, Lozza left school. He did farm work during harvest time and worked as muleteer and bricklayer. Lozza began to work as a painter and paper-cutter, setting up a business with his brothers that gave them economic stability.
Career
In 1929, the Lozza brothers moved to Buenos Aires to get further funding to study painting in Italy; however, the 1930 Argentine coup d'état made this impossible. During this time they studied theatre with José González Castillo and in December 1930 put on the play La sombra de la nada at the Teatro Roma de Alberti in collaboration with poet Vicente Barbieri and Juan Ferreyra Basso.In 1932, after exhibiting paintings in a library in Almafuerte, in Flores and Alberti, as well as other venues, Lozza published an article called "A propósito del centenario de Goethe" in a periodical called La Zona. He also published poems and a play called Crepúsculos.
In 1933, Lozza, a member of the Communist Party at that time, was jailed for a month after protests of the treatment of political prisoners. During this period he became friends with Lino Enea Spilimbergo, Miguel Carlos Victorica, and the González Tuñón brothers: Raúl González Tuñón and Enrique González Tuñón. Lozza continued to be politically active, publishing illustrations and writings in the anti-fascist journal Socorro Rojo and La República.
In 1937, Lozza contracted tuberculosis, but continued to work. At this time, he works as a painter, title broker, lingerie cutter, fabric stamper, and artist in the field of advertising. Lozza eventually starts a lingerie business called Lingerie Femenil. As part of that business he designed lingerie for many famous women, including Delia Garcés.
Personal life
In 1938, Lozza married his first wife, with whom he had a son, Arturo Lozza. After they divorced, in 1947 Lozza began a relationship with the painter Antonia Belizán, who he later married and had a son, Carlos Raúl Lozza.Death
On January 27, 2008, Lozza died of natural causes, at the age of 96, in the La Paternal, neighborhood of Buenos Aires in Argentina. He is buried at Cementerio de la Chacarita.Selected exhibitions
Selected group exhibitions
- 1965: "Eugenio Abal, José Rodrigo Beloso, Raul Lozza. Paintings," Museu de Arte Moderna
- 1980: "Vanguardias de la década del 40. Arte Concreto-Invención, Arte Madí, Perceptismo," Museo de Artes Plásticas Eduardo Sívori
- 1989–1990: "Art in Latin America. The Modern Era, 1820–1980," The Hayward Gallery ; Nationalmuseum / Moderna Museet ; Palacio de Velázquez
- 1990: "Argentina. Arte concreto-invención 1945, Grupo Madí 1946," Rachel Adler Gallery
- 1992–1993: "Artistas latinoamericanos del siglo XX," Estación Plaza de Armas ; Musée national d’art moderne, Centre national d’art et de culture Georges Pompidou ; Josef-Haubrich-Kunsthalle ; The Museum of Modern Art
- 1994–1995: "Art from Argentina 1920–1994," Museum of Modern Art
- 1997: "I Bienal de Artes Visuais do Mercosul"
- 2001: "Abstract Art from Río de la Plata. Buenos Aires and Montevideo, 1933–1953," The Americas Society
- 2002: "50 años de pintura geométrica latinoamericana," Museo de Arte Contemporáneo Latinoamericano, La Plata
- 2003–2004: "Arte abstracto argentino," Galleria d’arte moderna e contemporanea ; Fundación Proa
- 2006: "The Sites of Latin American Abstraction," Cisneros Fontanals Art Foundation
- 2007: "The Geometry of Hope. Latin American Abstract Art from the Patricia Phelps de Cisneros Collection," Blanton Museum of Art, The University of Texas at Austin ; Grey Art Gallery, New York University
- 2009: "Geometric Abstract Works. The Latin American Vision from the 1950s, 60s and 70s," Henrique Faria Fine Art
- 2010: "Then & Now. Abstraction in Latin American Art from 1950 to Present," 60 Wall Gallery, Deutsche Bank
- 2010: "Vibración. Moderne Kunst aus Lateinamerika. The Ella Fontanals-Cisneros Collection," Bundeskunsthalle
- 2010: "Realidad y Utopía - Argentiniens künstlerischer Weg in die Gegenwart," Akademie der Künste
Selected solo exhibitions
- 1949: Galería Van Riel
- 1963: Museu de Arte Moderna
- 1969: Instituto de Arte
- 1973: Galería Van Riel
- 1985: "Cuarenta años en el arte concreto," Fundación San Telmo
- 1993: Fundación Banco Patricios
- 1996: "Hermann Glöckner / Raúl Lozza, Batuz Foundation Sachsen," Altzella/Nossen
- 1997: "Retrospectiva 1939–1997," Museo de Arte Moderno
- 2001: "Un museo por sesenta días. Selección de obra para un futuro museo de su pintura concreta," Centro Cultural Borges
- 2002: "Una revisión a la relación arte-ciencia en la obra de Raúl Lozza," Centro Cultural Borges
- 2006: Museo Nacional de Bellas Artes
Selected works
Works and publications
- – Includes Raúl Lozza's manifesto on perceptismo and an essay by Abraham Haber
- – Catalog of an exhibition held at the Fundación San Telmo, Buenos Aires, 22 de Julio–18 de Agosto 1985
- – Catalog of an exhibition held at Centro Cultural Borges, De. 2001–Feb. 2002