McLaughlin was educated at Bromsgrove School and then at Worcester College, Oxford. While at Oxford he was an active member of the Oxford University Dramatic Society and as a fresh-faced young man he was often cast in female roles. However, he resisted the possibility of becoming an actor at a time when acting was not seen as an altogether respectable profession.
Marriage and descendants
In 1932, McLaughlin married Olive Marion McConnell, a daughter of William Haydn McConnell, organist and music teacher. His wife was herself an Associate of the Royal College of Music who played the piano, the oboe and the viola. Together, they had three sons and two daughters. These were:
Julian Aubyn Crofton McLaughlin.<
Brigid Joy McLaughlin
Diarmid Patrick Vale McLaughlin
Roger O'Brien McLaughlin
Juliet Marie-Therese McLaughlin
Career
Deciding to follow his father and grandfather into the priesthood of the Church of England, McLaughlin was ordained as a deacon and a priest and quickly took to elaborate Anglo-Catholic ritual. As Vicar of St Thomas's, Regent Street, London, he brought theatre into his church by staging plays by Christopher Fry and Ronald Duncan, until he was asked by the Lord Chamberlain's Office to desist. He was also Warden of St Anne's House, Soho, in a West End sister parish of St Thomas's, a part of London famous for its night life and entertainments. At St Anne's, Soho, McLaughlin sponsored a Musicolour dance performance designed by Gordon Pask. In Soho, McLaughlin and the Vicar of St Anne's Father Gilbert Shaw founded, and McLaughlin directed, the Society of St Anne's, which was active between 1942 and 1958 and which promoted links between the Church and the world of literature. The society was begun late in 1942 when McLaughlin and Shaw asked the Bishop of London for permission to use the St Anne's clergy house as a kind of mission centre for thinking pagans. Fisher agreed, and Dorothy L. Sayers was asked to give the new society's first course of lectures, then T. S. Eliot the second. The location of St Anne's, near to the theatres, colleges and restaurants around Bloomsbury and also to the Inns of Court, was ideal for such an intellectual outreach programme, and the Society soon included C. S. Lewis, Agatha Christie, Father Max Petitpierre, Charles Williams, Arnold Bennett and Rose Macaulay, as well as T. S. Eliot and Dorothy L. Sayers, among its members. Others who contributed to it from time to time included John Betjeman, Iris Murdoch, Lord David Cecil, Rebecca West and Christopher Dawson. When Sayers died in 1958, McLaughlin conducted the burial of her ashes under the tower of St Anne's Church. With Father Gilbert Shaw, McLaughlin is thought to be part of the inspiration for the character of Father Hugh Chantry-Pigg in Rose Macaulay's novel The Towers of Trebizond. Macaulay described McLaughlin as a "many-sided kind of priest, whom I like". McLaughlin introduced into England the 'Basilican mode', in which the priest, while at the altar, faces the with his back to the altar, instead of facing the altar with his back to the congregation. This liturgical innovation was widely adopted in the Church of England some twenty years later. However, he found the Church of England and the then Bishop of London, Robert Stopford increasingly hard to live with, and in 1962 McLaughlin resigned his Anglican orders. He subsequently went to live in Rome, taking a job as a translator for the Food and Agriculture Organization of the United Nations. It was while in Rome that he joined the Roman Catholic Church. He subsequently became a lay brother of the Order of St Benedict. Returning in his last years to London, McLaughlin became a Brother of Charterhouse at Sutton's Hospital when he was not travelling the world. When he died in 1988, he was buried with his wife in a graveyard belonging to Charterhouse at St Mary's, Little Hallingbury, Essex.
Works
McLaughlin's book The Necessity of Worship shows him as an ecumenist decades before ecumenism became fashionable. He also published The Death of God.