Orun Mooru narrates the story of Karounwi, a basketmaker who lives in a fishing village. Flashback shows that he used to be a thriving businessman, until he was tricked by a Babalawo into believing that he could fill oil drums with money. Karounwi receives a loan of ₦500 from a friend. He loses all the money; half to a pickpocket, and the other half when his wife exchanged the drums he saved the money for new plates. This turn of events led him into committing suicide and he finds himself in the underworld. Iku tells him that he isn't ready for his coming, Karounwi then ascends to meet the Ayo, who then sends him off with two magical eggs and two of her disciples, to escort him back to earth. Upon reaching earth in a lavish mansion, Karounwi has sex with the two disciples from the underworld, then breaks one of the eggs, which transforms into a huge pile of money. He goes ahead to break the second egg, despite the standing instruction not to do so. Upon doing so, Death appears. Karounwi is seen coming into his shack in the fishing village. A flashback shows that he has been fished out of the water from under the bridge he had thrown himself to commit suicide.
The film was originally shot on 35 mm film, but was reduced to 16 mm film for distribution and exhibition. The underworld scenes of the film were shot at the Osun Grove, Osogbo.
Reception
Orun Mooru went on to be a very successful film, but its success was cut short, when it was pirated and bootlegged before it concluded its theatre run.
Critical reception
Kenneth W. Harrow states: "The themes of over-reaching greed and wild swings from the village life from the lavish property and back again, are close to the heart Nigerian national experience during the oil boom years Propelled by his moral wills, Baba Sala bounces among four sharply opposing realms".
Piracy
Not long after the theatrical release of Orun Mooru, it got pirated and bootlegged following the theft of the film's master celluloid tape. The piracy happened before the end of the theatrical run of the film; several cinemas in different cities across the country screened the film without being licensed to do so and remuneration never reached the producers. The loss incurred as a result of this piracy significantly affected the career of Moses Olaiya in the film industry, as well as his personal life. The piracy of Orun Mooru has been reported as a first major incidence of piracy in the Nigerian film industry.
