Edwin Hawkins’ gospel stylearrangement of the hymn "Oh, Happy Day" has a long pedigree. It began as a hymn written in the mid-18th century by English clergyman Philip Doddridge set to an earlier melody by J. A. Freylinghausen. By the mid-19th century it had been given a new melody by Edward F. Rimbault, who also added a chorus, and was commonly used for baptismal or confirmation ceremonies in the UK and USA. The 20th century saw its adaptation from 3/4 time| to time and this new arrangement by Hawkins, which contains only the repeated Rimbault refrain, with all of the original verses being omitted. The B-side of the single was Hawkins' own modern arrangement of "Jesus, Lover of My Soul" originally written by Charles Wesley in 1740.
Recording
Hawkins rearranged the hymn to give it more of a gospel feel, and devised a piano introduction which he said was influenced by the music of Sérgio Mendes. When the choir made the recording in 1967, lead singer Dorothy Morrison added some lyrical improvisations influenced by James Brown, which, she said, "made the song feel even more current".
Legacy and influence
Hawkins' arrangement quickly became a “standard” and has been recorded by hundreds of artists. It was included on the RIAASongs of the Century list and won Hawkins a Grammy Award for Best Soul Gospel Performance in 1970. In live performances and acoustic versions of the Nick Cave song "Deanna", portions of "Oh Happy Day" are included, revealing the inspiration for Cave's song. George Harrison has stated the song was a primary inspiration in the writing of his 1970 international hit single "My Sweet Lord." The song has appeared in many movies, beginning with the German film ' in 1970, but most notably Whoopi Goldberg's Sister Act 2, with then 14-year-old Ryan Toby singing lead. The song also appears in Big Momma's House, ', David LaChapelle's 2005 movie Rize, Robin Williams’s 2007 movie License to Wed., the 2010 biographical film produced by Walt Disney Pictures: Secretariat, and Spike Lee's BlacKkKlansman. The song is regularly performed by space-rock band Spiritualized as the last song of their live sets; their version can be heard on the 1998 live album Royal Albert Hall October 10 1997.
Quincy Jones covered the song on his 1969 album Walking in Space.
Jack Jones covered the song on his 1969 album A Jack Jones Christmas.
Vince Guaraldi recorded a version of the song in 1969 that remained unreleased until 2018 on the 2-CD set, The Complete Warner Bros.–Seven Arts Recordings.