Construction of the museum was first proposed by the Dirección General de Caminos in 1998 as part of its plans to build a highway from San Luis to Flores in order to offset any damage to Guatemala's cultural heritage caused by the construction project. The land upon which the museum was built was donated in 1998, and had originally been used for the first seat of the municipal council. Construction began in December 1999, with the fabric of the building being completed in November 2000. In 2001, the Dirección General de Caminos officially handed the building over to the Ministerio de Cultura y Deportes. In 2000, the Atlas Arqueológico de Guatemala petitioned the Agencia Española de Cooperación International for funding to restore excavated artefacts ready for display in the museum. The agency responded positively and the Atlas Arqueológica was able to contract archaeologists from the Tikal National Park to carry out the restoration work. This restoration process lasted two years. The museum was officially opened on 17 March 2005 and is administered by staff of the Atlas Arqueológico de Guatemala.
Facilities
The building consists of the exhibition halls, administrative facilities, a warehouse, guardroom, sanitary services and a community hall.
Collection
The museum is dedicated to the display of objects excavated by the Atlas Arqueológico de Guatemala within the southeastern Petén region. It displays approximately 125 ceramic pieces and eight stone sculptures. The display of artefacts is divided into periods, ranging from the Late Preclassic through to the Postclassic, covering a span from 900 BC through to 1524 AD. The collection is not limited to the municipality of Dolores, it also includes pieces from the municipalities of La Libertad, Melchor de Mencos, Poptún, San Luis, Santa Ana and San Francisco. Twenty-two archaeological sites are represented at the museum, they include Calzada Mopan, Copoja, Curucuitz, El Chal, El Ocote, El Reinado, Itzimte, Ix Ak, Ixcoxol, Ix Ek', Ixkun, Ixtonton, Ixtutz, La Gloria-Sacul, Limones, Machaquila, Maringa, Pueblito, Sacul, Suk Che', Ucanal and Yaltutu. There are also pieces recovered from the caves of Aktun Ak'ab, Balam Na and El Chapayal.
Bowl from Suk Che'
This artefact is a flat based ceramic bowl of the Saxche variety of the Saxche Naranja Polychrome type, belonging to the Palmar-Danta ceramic group. It was excavated from Group 9 at Suk Che' and was associated with a burial. The bowl has been dated to the Late Classic Period.
Vase from Curucuitz
This item is a ceramic vase excavated from the ruins of Curucuitz. It was found buried in the North Structure of Group 24, where it was associated with a burial. the vase has been dated to the Late Classic and is of the Paixban variety of the Paixban Ante Polychrome ceramic type, belonging to the Zacatal-Joyac ceramic group.
Vase from Sacul
This ceramic vase was excavated from the ruins of Sacul. The piece is of the Palmar variety of the Palmar-Naranja Polychrome type, belonging to the Palmar-Danta ceramic group. It has been dated to the Late Classic Period. It was a funerary offering accompanying Burial 193 at Sacul, it was interred in front of Structure 1 of Group 26 of that city. The vase was a drinking vessel for chocolate and depicts a mythological scene featuring the young Moon goddess, who carries a rabbit in her arms. The goddess is seated upon a throne, which is decorated with a celestial band. Below her are three jars of pulque. Only about half of the original scene has survived, and the text next to the goddess is illegible. Only slight traces remain of a second person seated upon the same throne, to the left of the Moon goddess. Two rows of supernatural beings are seated on the floor before the throne, indicating that they are visiting the enthroned principal figures. Three of these visitors can be identified, including two versions of God N, represented as separate individuals, and a being that is a man-bird hybrid. These figures are also accompanied by hieroglyphs, although they are also illegible. The vase includes a dedicatory hieroglyphic text around the rim that identifies it as the drinking vessel of a lord of the city ofNaranjo. The vase appears to represent a scene from Maya mythology in which the rabbit steals a magic hat, clothing and tribute from God L. God L visits the palace of his grandson K'inich Ahau, the Sun god, who informs him that the rabbit is with the Moon goddess.
