Mommyheads


The Mommyheads are an American indie pop band who played from around 1987 through 1998, disbanded for a decade, and then reformed in 2008. Starting in New York City as the brainchild of singer Adam Cohen, the band produced a string of quirky and highly inventive releases on various independent labels, most notably Simple Machines. Their music has been compared to XTC. They relocated to San Francisco in 1990. The band signed to Geffen Records in 1997, producing a single album for the label before breaking up in 1998. They reunited to record a new CD in 2008.
Jan Kotík, the original drummer for the Mommyheads, died on December 13, 2007, after being ill with cancer for three years.

History

The first official Mommyheads record, Magumbo Meatpie, was recorded in late 1987. It was released in 1988 on the Sit and Spin label, which was run out of a NYU dorm room. It was produced by Granz Henman, who was attending NYU, and Joseph A. Kim, who was an Ivy League drop-out. The 7" vinyl EP featured 4 songs that were recorded by Sonic Youth's engineer Wharton Tiers and is now exceedingly rare. Three of the songs later appeared on the Fang records compilation LP Antipop: New York Underground Mix. This Mommyheads was a quartet, listed as "Adam" , "Jan" , and "Jude" and "Tom" on guitar/dulcimer and bass, respectively.
Their first full-fledged release was Acorn, on in 1989, featuring Cohen, Jan Kotik, and Matt Patrick, and produced by Chris Rael. The songwriting was split evenly between Cohen and Patrick. Both of these recordings were released while the band members were still in high school. Rael's liner notes to the Acorn CD re-release allude to XTC, James Brown, and Pussy Galore as primary musical influences.
Early 4-track and live demos of Mommyheads songs were released in 1991 or 1992 as the Simple Machines cassette Swiss Army Knife. This collection of home made songs, written and recorded primarily by Adam Cohen, were eccentric but highly original and musically complex. At their core was a whimsical and bittersweet pop sensibility that would underlie most of their subsequent recordings. 4 of the 17 songs would be re-recorded on their "official" releases. Around this time, Simple Machines also released "At the Mall" on a 7-inch compilation EP, Pulley. Two tracks appeared on a live Fang Records compilation.
Their second "real" album, the psychedelic Coming Into Beauty, was released on Simple Machines records in 1992. This was a combination of sessions for two albums which followed Acorn,, the first one released informally on a cassette called Papoose. A move to San Francisco and a lineup change occurred during the recording of this CD; Jan Kotik left and was replaced by two members of NYC group the Connotations: Dan Fisherman and Michael Holt. Before the release of the CD, this new lineup released a limited edition live cassette of a more recent batch of songs, on Fang Records, most of which never made it to their later CD releases.
Matt Patrick left and was replaced by bass player Jeff Palmer, around the time of the recording of the next CD, Flying Suit, in 1994. Liner notes to the Tiny Idols compilation credit "the slick, professionally minded Jeff Palmer" with steering the band towards a more "mainstream" sound at roughly this point. Live performances from this period, especially in college settings, often included a fetid, bongwater-soaked towel. Songwriting duties shifted mostly to Cohen, with occasional contributions from Holt. Several singles and compilation songs were released in this period, as well. A fourth record, Bingham's Hole, was released on Dot Dot Dash records in 1995. Produced by Peter Katis, this was the band's final independent full-length recording, and it showed the band adding more funk and boogie elements into the mix. Bingham's Hole drew the attention of Don Was who was credited with producing their next record.
On the strength of Bingham's Hole, the band was signed to Geffen Records, which released the Beatle-esque The Mommyheads in 1997. The CD met with mixed reviews. The band was dropped during a label shake-up before the album was even released, and the album was barely promoted. The Mommyheads broke up shortly thereafter, playing their final show in San Francisco in February 1998. Many fans hold this as a perfect example of a major label "ruining" a band that had established critical success and a solid fan base with the quality of its independent recordings and excellent live shows.
Following the breakup, most members of the band have gone on to solo and other collaborative projects. Adam Elk released a solo album called Labello, and is now a successful composer for television commercials. Jeff Palmer joined Sub Pop band Sunny Day Real Estate and Granfaloon Bus. Michael Holt has gone on to record several solo albums. Dan Fisherman became a computer programmer for a small San Francisco computer company and teaches mathematics, philosophy and recording for the Randolph School in Wappingers Falls, New York
Mommyheads songs have been covered on record by Jenny Toomey and Someone Still Loves You Boris Yeltsin.
Following the death of original drummer, Jan Kotik, The Mommyheads re-united for a tribute show in New York City. Shortly after, they decided to reform and record a new album, You're Not A Dream, which was released in 2008. In the spring of 2010, the band released a remastered version of Flying Suit containing three bonus tracks recorded during the same era.
The Mommyheads are featured in a 2010 Time Warner Cable television ad for the company's broadband internet offerings. They jam out together all from different locations via the internet.
In 2010, Jason McNair joined the band on bass guitar, replacing Jeff Palmer.
A retrospective album entitled "Finest Specimens" was released on the Dromedary Records label on Oct 19, 2010. The album contained cuts from most of the band's studio albums as well as previously unreleased live tracks, demos, and one new song.
Their 2011 release, Delicate Friction, was the band's first record of all-new material since the mid-1990s.
In the spring of 2012, the band announced the release of Vulnerable Boy on Dromedary Records in North America and Europe, and on Dead Frog Records in Scandinavia. This Burst of activity coincided with 3 well attended tours of Scandinavia and Northern Europe
In 2018, The Mommyheads released "Soundtrack to the World's End," an album with several songs about the quickly approaching time of social, ecological, and economic crisis. It peaked in the top 20 of the sub-modern radio charts in December 2018 and was well reviewed by press.
In 2019, The Mommyheads released "Future You" on their own label in the US and Fanar records in Scandinavia https://www.facebook.com/fanfar.se/
The record peaked on the NCAA college radio charts at #85 and the Sub Modern Charts at #40 and was well reviewed by press. The band embarked on a 9 city tour of Scandinavia in Sept of 2019.
In 2020, The Mommyheads Re-Released their Self Titled 97' Major Label Record. It was the 14th most added LP in College Radio in mid-Feb 2020 and was called "Their Masterpiece" by Big Takeover Magazine in the Spring 2020 ISSUE. The LP eventually peaked at #120 on College radio which coincided with Adam doing an extensive radio interview tour.

Discography

Albums


Singles and EPs