Ruby, a registered nurse in Compton, must come to terms with her husband receiving an eight-year prison sentence. She struggles with internal forces as tensions build and life becomes more difficult. As she meets new people, Ruby must decide what she truly wants and what is best for her.
DuVernay explained that when she began to examine what life is like in Compton and "the texture of the lives of women who live there", the subject of incarceration kept coming up. The director spent months conducting research for the film, including interviewing the wives of felons, before writing a screenplay. DuVernay revealed that she was exploring the same theme of "lost love and how it affects you when it's gone" in Middle of Nowhere as she did in her first feature, I Will Follow. The director considered herself fortunate to be able to explore personal themes of interest in her second film. Describing her viewpoint, DuVernay told Allison Samuels of The Daily Beast,
"This is a story I know very well. I'm from Los Angeles and I know countless women who live this kind of life every day, year after year. You see women struggling to keep it all together while a loved one is in jail. But we don't hear about them or their struggles in a way that resonates with others. Their stories are so compelling. It's as if they are in their own little world and no one else sees them. I also wanted to talk about the love between two people in a setting that isn't the norm and how they survive."
Filming
Middle of Nowhere had a budget of $200,000 and was shot in June 2011 over nineteen days, half of the studio average of forty days. DuVernay told IndieWire's Claire Easton that it was difficult filming over a short period of time and thought that she could have used a couple more days. She continued "It really would just allow us to have more takes, and explore things more. But ultimately, you know, my first film was shot in 15 days, so I gained 4 days. So, one day maybe I'll get out of the teens!" DuVernay and her crew spent a week filming in a South Los Angeles neighborhood. A "well-maintained Spanish mission-style duplex" on East 91st Street doubled as Ruby's house in the film. DuVernay said "When people think South-Central or Compton, it's all Boyz n the Hood. It's never a house like this. It becomes an assumption that people who live in these communities don't care about their home, don't work as hard for them and don't own their homes. That's one of the reasons why I chose this area. It reminded me of the house I grew up in." Other shooting locations included Inglewood, a federal correction facility in Victorville, Leimert Park, and East Los Angeles. DuVernay wanted to film the movie in places that were authentic to her characters. She also made sure that the locations were used in such a way that they would not detract from the story.
Melissa Silverstein from IndieWire reported that Middle of Nowhere had the top per screen average during its opening weekend. The film opened in six theaters, making $67,909. The following week, it expanded to a further sixteen screens and earned $50,554. As of January 12, 2013, Middle of Nowhere has grossed $236,806.
Critical response
, the film holds an 83% approval rating on film review aggregation site Rotten Tomatoes, based on 50 reviews with an average rating of 7.78/10. Metacritic, which assigns a score of 1–100 to individual film reviews, gave Middle of Nowhere an average rating of 75 based on 19 reviews. Roger Ebert gave the film three stars and praised Corinealdi's performance, calling it "star-making". Kenneth Turan from the Los Angeles Times stated "Though Middle of Nowhere is very much a character piece, it benefits from some intricate plotting, and going where you think it will go is not on this film's mind. When you question everything about yourself, Ruby has to ask, what do you have to hold onto? We don't often have films that ask questions like these or ones that answer them as effectively." Middle of Nowhere was named one of The New York Times Critics' Pick and Manohla Dargis commented, "A plaintive, slow-boiling, quietly soul-stirring drama about a woman coming into her own, Middle of Nowhere carries the imprimatur of Sundance, but without the dreary stereotypes or self-satisfied politics that can characterize its offerings."
