The manga takes its name from the title of the Robert Johnson song, "Me and the Devil Blues". It is written and illustrated by Akira Hiramoto. It was published in Kodansha's Monthly Afternoon and was put on indefinite hiatus in 2008. The manga was transferred to Young Magazine the 3rd Magazine in 2014. Kodansha has published the first five volumes between January 21, 2005, and July 6, 2015. In North America, Del Rey Manga released the first four volumes in a two-volumes-in-one format. The first volume was published on July 29, 2008 and the second volume was published on December 30, 2008. The manga is licensed in France by Kana.
Volume list
Reception
School Library Journal named Me and the Devil Blues as one of the best adult books for high school students in 2008. The 2009 Glyph Comics Awards was awarded to Me and the Devil Blues for the Best Reprint Publication. About.com's Deb Aoki lists Me and the Devil Blues as the best "underappreciated gem" of 2008 along with Shoulder-A-Coffin Kuro. Anime News Network's Casey Brienza commends the manga for its "superb, historically accurate artwork and an intriguing, original story premise" but criticises the manga for its "painfully slow narrative pacing, silly plot points, and a whiff of unintentional bigotry". About.com's Deb Aoki criticises the manga for its "lots of strong language, sex and graphic violence makes this mostly an adult pleasure". Mania.com's Nadia Oxford commends the manga for its "surreal mix of fantasy and reality" that portray what could have happened to Robert Johnson. Comic Book Bin's Leroy Douresseaux commends the manga for its "stunning visuals, which Hiramoto composes using a variety of styles, techniques, and media". Peter Gutiérrez from Graphic Novel Reporter comments on the manga's use of its "Faustian premise to work squarely in the Southern Gothic mode of the horror genre, Hiramoto then shifts the tempo and tone quite radically". John Thomas from Comics Village commends Hiramoto for "his valiant attempt to bring a long-gone Southern bluesman's story to a modern Japanese audience". Jason Thompson, in the online appendix to , wrote "The passive protagonist and depressing narrative, coupled with a weak non-ending..., make for a disappointing narrative, although the art is chilling and lovely and it has many fine page-turner sequences."
