Marged ferch Ifan


Marged ferch Ifan or Marged uch Ifan; Marged vch Ifan or Margaret Evans was a Welsh harpist and wrestler, who was the subject of songs and tales that describe her fabled abilities.

Life

Marged is thought to have been born in Beddgelert in mountainous Snowdonia as she was baptised at St Mary's Church in that village. She was the subject of tales. It is known that she married a man called Richard Morris whom she was said to beat. She was said to have been violent twice towards Richard. On the first occasion his response was to marry her on 8 May 1717 at St Mary's Church in Beddgelert. The second time he was mistreated he responded by becoming a Methodist. In fact she was said to have been feared until she was in her seventies and even then she could wrestle any man. Her celebrity was created by the Flintshire writer Thomas Pennant, who discussed her in one of his Tours in Wales.
Marged and her husband, who was also a harpist, ran a drinking establishment for copper miners in the parish of Llandwrog. She was reputed to be able to shoe a horse and make a boat, her own shoes, a harp or a violin. In the evenings she would entertain her customers on the harp. She was said to row large loads across the Snowdonian waters of Llyn Padarn and Llyn Peris and Thomas Pennant and others described her as "Queen of the Lakes".
Some sources say that Marged died aged 102 or 105, but the Oxford Dictionary of National Biography is clear that she died in her nineties in 1793. She was buried in Llanddeiniolen on 24 January.

Legacy

Some tales about Marged ferch Ifan are extant as well as several versions of songs and tunes in Welsh, known as hen benillion. Traditionally the verses start with the first line Mae gan Marged fwyn ach Ifan, which translates as "Fair Margaret daughter of Evan has".

Mae gan Marged fwyn ach Ifan
Grafanc fawr a chrafanc fechan,
Un i dynnu'r cŵn o'r gongol,
A'r llall i dorri esgyrn pobol.

William Hutton, an English poet and historian who toured Wales sixteen times, wrote about Marged in his poem "The Welch Wedding". In it he discussed the robustness of rural, Welsh women, but Marged, and others like her such as Jane Lloyd, Catrin of Cwm-glâs and Grace Parry, so exceeded robustness that their very entry in the historical record was due to their perceived masculinity. For some, this raises questions as to where they sit on the grounds of gender diversity.