Le Groupe des XV was a collective founded in 1946 by fifteen French humanist photographers who exhibited annually in Paris until 1957. Its objective was to have photography recognised as an art form in its own right, and to use it to preserve French photographic heritage.
Founding membersList extracted from Emmanuel Sougez, Marie-Loup Sougez, Sophie Rochard, ''Emmanuel Sougez : l'éminence grise '', Éditions Créaphis, 1993, .
Members from 1948
Professional organisation
Annual exhibitions of their work were organised by André Garban, assisted in the background by Emmanuel Sougez, founder in 1937 of the group Rectangle, another Parisian photographer association active until all professional organisations were dissolved during the Occupation under Vichy rule. Several Le Groupe des XV members had formerly been in Rectangle and in 1946 they regarded themselves and their invited recruits as friends who had a common interest in artistic photography, naming the group "by analogy with the spirit of team and the sports camaraderie that animates rugby clubs".
Ethos
The group's manifesto echoes that of Rectangle, providing a continuum between the 1930s and the immediate post-war:
"loving above all their profession, animated by the same faith and eager to endow photographic art of quality works, each member formally commits himself to respect the spirit of loyalty, frankness and mutual assistance which is the very basis of the grouping".
They espoused:
"Respect for process! - Real photography - The perfect negative - And if possible, no retouching; that ‘maid-of-all-work’ to the bad photographer! No blur either; such a "myopic style"! And as much as possible new ideas, new angles, originality . Our tradition: Hill, Nadar, Atget, Weston, Cartier-Bresson."
Defining the status of the profession
All members were professionals in both their motivation and in deriving their income from commissions with, among other outlets, magazines Plaisir de France and Réalités favouring their work during the boom in pictorial magazines. The chief chronicler of Les Groupe des XV, Marcel Bovis, in particular, was concerned with the status of their medium:
"At a time when the profession of photographer-illustrator is classed with manufacturers of funerary wreaths, it is above all a question of asserting the notion of profession by a demanding conception of photography in all fields".
1946, the year of the group's founding, was in a period in which professional organisations and the place of the arts and crafts within them was being reassessed, Le Groupe des XV also created, as an annex to the group, the Society of Illustrators and Author Photographers: the SIAP. This entity administered by the XV replaced the Artisanal Professional Groups of the 1940s, enforcing copyright and reproduction, the code of ethics and pricing, without forgetting "to create between its members links of confraternity".
Exhibitions
For the annual exhibitions of Le Groupe des XV, Garban secured venues at the Galerie Jean Pascaud, 165 Boulevard Haussmann, at the :fr:Cercle de la librairie|Cercle de la Librairie, boulevard Saint-Germain or the Galerie Mirador, Place Vendôme, as well as offering his own portrait studio in rue Bourdaloue for meetings. From 1946 he established the National Exhibition of Photography in the Galerie Mansart, Bibliothèque nationale de France.
