Lajos Kassák


Lajos Kassák was a Hungarian poet, novelist, painter, essayist, editor, theoretician of the avant-garde, and occasional translator. Self-taught, he became a writer within the socialist movement and published journals important to the radical intellectual culture of Budapest in the early 1900s.
Although he cannot be fully identified with any single avant-garde movement, he adopted elements of expressionism, futurism and dadaism.

Early life and education

Lajos Kassák was born in Érsekújvár, Austria-Hungary. His father was an apothecary assistant and his mother a laundress. Although his parents wanted him to attend higher education, he decided to quit his studies and started work as a locksmith assistant, gaining a letter of indenture as an apprentice. His sister was Erzsi Újvári who went on to marry Sándor Barta.

Career

In 1904 Kassák moved to Budapest, where he worked in a factory on the outskirts of the city. He participated in the labor union movement, and organized several strikes. In 1905 he was fired several times for organizing strikes.
In 1907 he left for Paris – on foot and without any money; the city was attracting artists and intellectuals from throughout eastern Europe. He was expelled to Hungary in 1910. The experiences of this journey were later covered in his autobiography entitled Egy ember élete '.
Despite his lack of formal education and inadequate writing skills, Kassák began to publish his works. His first poem was published in 1908, and his first collections of short stories in 1912, titled Életsiratás. In 1915 he published his first collection of poems, Éposz Wagner maszkjában . That same year, he launched his first journal, entitled A Tett ', which was soon censored and banned for being "pacifist". He was part of the intellectual movement that included the group of painters known as The Eight whose work he supported in his journals. He started Ma in Budapest, and later published it from Vienna.
During the Hungarian Soviet Republic in 1919, he became a member of the special Writers Directorate. After fierce debates with the republic's leader, Béla Kun, he distanced himself from Bolshevism whilst always remaining a leftist. He never distinguished between being a socially responsible individual and an artist: his art was part of his self-definition as a "socialist man". After the fall of the Hungarian Soviet Republic, he emigrated to Vienna. There he continued publishing his second journal, MA. He also published an anthology, Buch neuer Künstler, a project in which László Moholy-Nagy was to help him by gathering material for him from Berlin.
However in May 1922 Béla Uitz and Aladár Komját published the first issue of Egység, a rival journal, critical of Kassak.
In 1926, Kassák returned to Hungary. He continued editing and publishing journals such as Munka ' and Dokumentum ', both of which were independent leftist avant-garde journals.
His autobiography, Egy ember élete was published in sections periodically in the Hungarian literary journal, Nyugat, between 1923 and 1937. After he published it as a book, he was prosecuted because of its chapters concerning the Hungarian Soviet Republic.
He regularly published in leftist newspapers. From 1945 to 1947, he edited the journal Kortárs , which closed when it was banned. In 1947 he returned to political duties, as the communists had taken over the Hungarian government. He was appointed as the head of the Social Democratic Party's Art Commission. In 1948 he became an MP. A year later he had to change seats in the Parliament, and later he had to resign, and finally retire because of the change of the political climate.
In 1953, Kassák criticised the Party's cultural politics, and was expelled from the party. Because of this, he was not allowed to publish for years, until 1956, when he was elected to be a chair in the Writers Association, an influential organization of the era. From 1957 he became practically muted by the cultural censorship of the Party, and for the rest of his life was not allowed to travel, exhibit and publish. However even in his silence, he influenced a large number of artist both in Hungary and internationally. He died in Budapest on July 22, 1967.

Work

Kassák is considered to be the main father figure of the literary Hungarian Avant-garde, and one of the first poet/writer/artists from a working-class background. His views on historical avant-garde movements influenced the region's perception and artistic production. His journals Ma and the Tett were widely followed. He was heavily influenced by the international constructivist movement and issued several manifestos: Képarchitektúra, Vissza a kaptafához, and A konstruktivizmusról.
As he is associated with more than one style or movement, most art historians refer him as an "Activist", a special label issued to express the socially engaged style of his artistic production. Functionality and social effectivity were the main characteristics of his works, which have to be implemented by the modern being in order to create a world of social equality.
His works include concrete poetry, billboards, design, novels, and paintings, and were influenced by Expressionism, Dadaism, Futurism, Surrealism and Constructivist tendencies.

Képarchitektúra

Képarchitektúra, or Image Architecture was first defined in pamphlet by Kassák in late 1921. The manifesto was reprinted in MA 7, no. 4, pp. 52–54.

Legacy