Schickner attended Harvard from 1993 to 1995 before dropping out to start Off-Off-Broadwaytheater company, Fencesitter Productions. Based out of the Stanford Meisner Theater, the company produced four successful plays, three of which were written and directed by Schickner himself. While in college, inspired by hearing a talk given by bisexual rights activistLani Ka'ahumanu, he formed BIAS the first college bisexual rights group in the United States. After seeking out the campus' gay and lesbian organization, Schickner recalls, "I knew I was bisexual, but those who ran the club didn't believe it." He later went on to appear on CNN, Montel Williams, Jane Pratt and several other national television shows, helping to give visibility to what was at that time a largely invisible community. After writing and producing three successful plays, Schickner moved to cinema in hope of reaching a wider audience. In 1995, FenceSitter Films started production on Rose by Any Other Name..., a film based on Schickner's most successful play. According to the official website, FenceSitter Films was "founded on the belief that films don't need straight white men as heroes in order to be successful and entertaining." He says, "I wanted to make films a person of color, a woman, or a bisexual person would enjoy watching." Schickner has written and directed five feature films, several commercials and music videos and is now currently producing a Web series of Rose by Any Other Name.... His features include romantic comedyRose by Any Other Name..., mockumentaryFull Frontal, and the critically acclaimed thriller Strange Fruit. His most current feature film, Steam, stars Oscar-nominated actress Ruby Dee, 1980s and indie icon Ally Sheedy as well as up-and-coming young actress Kate Siegel. In late 2008 into 2009 Schickner began working with an American Cable TV Network to spin-off his original work Rose by Any Other Name... into a weekly TV series. However, according to Schickner "at the 11th hour as they were setting up to shoot the pilot the network expressed concern over how the cutting-edge social theme might play with some of their core viewership and decided to look at more data to see what kind of response the show might get". So with the assistance of American Institute of Bisexuality, FenceSitter Films turned it into a Web series with each Webisode being posted on their YouTube channel.
