Kira Heorhiyivna Muratova was a Soviet and Ukrainian award-winning film director, screenwriter and actress, known for her unusual directorial style. Her films underwent a great deal of censorship in the Soviet Union. Muratova spent most of her artistic career in Odessa, creating her films with local studios, mostly casting local actors.
Biography
Early life and career
Kira Korotkova was born in 1934 in Soroca, Romania to a Russian father and a Romanian mother. Her parents were both active communists and members of the Communist Party. Her father, Yuri Korotkov, participated in the anti-fascist guerilla movement in World War II, was arrested by Romanian forces and shot after interrogation. After the war, Kira lived in Bucharest with her mother, a gynaecologist, who then pursued a government career in Socialist Romania. In 1959, Kira graduated from the Gerasimov Institute of Cinematography in Moscow, specializing in directing. Upon graduation Korotkova received a director position with the Odessa Film Studio in Odessa, a port city at the Black Sea near to her native Bessarabia. She directed her first professional film in 1961 and worked with the studio until a professional conflict made her to move to Leningrad in 1978. There she made one film with Lenfilm Studio, but returned to Odessa afterwards. Muratova's films came under constant criticism of the Soviet officials due to her idiosyncratic film language that did not comply with the norms of socialist realism. Film scholar Isa Willinger has compared Muratova's cinematographic form to the Soviet Avant-garde, especially to Eisenstein's montage of attractions. Several times Muratova was banned from working as a director for a number of years each time. Kira married her fellow Odessa studio director Oleksandr Muratov in the early 1960s and co-created several films with him. The couple had a daughter, Marianna, but soon divorced and Muratov moved to Kiev where he started work with Dovzhenko Film Studios. Kira Muratova kept her ex-husband's surname despite her later marriage to Leningrad painter and production designer Evgeny Golubenko.
Post-Soviet period
In the 1990s, an extremely productive period began for Muratova, during which she shot a feature film every two or three years, often working with the same actors and crew. Two actresses Muratova has repeatedly cast are Renata Litvinova and Natalya Buzko. Muratova's films were usually productions of Ukraine or co-productions between Ukraine and Russia, always in the Russian language, although Muratova could speak Ukrainian and did not object to the Ukrainianization of Ukrainian cinema). Muratova supported the Euromaidan protesters and the following 2014 Ukrainian revolution. Muratova's films were premiered at International Film Festivals in Berlin, Cannes, Moscow, Rome, Venice and others. Next to Aleksandr Sokurov, She was considered the most idiosyncratic contemporary Russian-language film director. Her works can be seen as postmodern, employing eclecticism, parody, discontinuous editing, disrupted narration and intense visual and sound stimuli.
Upon an initiative of the arts patron Yuri Komelkov, Atlant UMC has published an album on Kira Muratova's work. In this album, the author of the photos, Konstantin Donin, confined himself to the film set frames, acting as a screen reporter of the film Two-in-one. In 2005, a study on the life and work of Muratova was published by I.B. Tauris in the KINOfiles Filmmakers' Companion series.
Literature
Donin . Кадр за кадром: Кира Муратова. Хроника одного фильма. К.: ООО «Атлант-ЮЭмСи», 2007. 119 с..
