Javier Parrado received his musical education at the National School of Music and the under the guidance of Cergio Prudencio , and Alberto Villalpando . After graduation he studied in seminars with Franco Donatoni, Edgar Alandia , Reinhard Febel, Coriún Aharonián, Victor Rasgado and Graciela Paraskevaidis. Several of his compositions were performed in America and Europe. In Bolivia, he worked for many years as arranger of folkloric music and resident composer of the National Symphony Orchestra, as well as a teacher, composer, arranger and researcher with various compositions and texts published. TreMedia publishes his music for guitar. Several of his articles about Bolivian music have been also published. He is part of the project “Uyaricuna, ist'asiñani, nos escucharemos” in association with Artekorp with the objective to diffuse the diverse musical expressions originated in the Bolivian territory and Andean land to project them into the symphonic and chamber music .
Awards and honors
Received first prizes of the Adrián Patiño composition competition, and the guitar composition contest Agustín Barrios Mangoré. Best Soundtrack in the Amalia de Gallardo Video Contest. A special mention to his choral work "Tanta Luz que dexan", and the 2009 Medal for Artistic Merit of Asociación Boliviana Pro Arte
Selected works
Solo Instrument
Estaciones para flauta for Flute
Sendas Lunares for Guitar. Christoph Jäagin, guitar and editor
Sombra y Agua for Piano. Marco Ciccone, piano
Ellas ¿y Bach? for Violin
Electroacoustic music
Inti Yana for Tape
Chamber Ensemble
Presencia alterna Text von Eduardo Mitre for Sopran and Ensemble
Llamadas for Violin and Marimba. Javier Pinell, violin
Salto al Alba for Guitar and Flute. Alvaro Montenegro, flauta y Gentaro Takada, Guitar
Ciclo sobre textos de Goethe for Voice and Piano
Pirqa, brasa y ceniza, for 3 Zampoñas, 3 Flutes. Premiere: .
PARRADO, Javier 2006 “Los aires nacionales en el siglo XIX. Apuntes sobre la notación musical”. En: Fundación del Banco Central de Bolivia, Revista Cultural. Año X – Nº 43 / Noviembre – diciembre 2006
ALANDIA, Mariana y PARRADO, Javier. 2004 “El Fondo Bolivia, una mirada a nuestra historia musical bajo la óptica del repertorio de piano”. En Temas en la crisis. Las culturas de Bolivia. Número 65-IV-2004
ALANDIA, Mariana y PARRADO, Javier. 2003 “A la vera del piano”. En: T’inkazos, Revista Boliviana de Ciencias Sociales cuatrimestral del Programa de Investigación Estratégica de Bolivia. Número 14 Junio 2003
PARRADO, Javier 2002 “Laberinto y código sonoros”. En Ciencia y Cultura Revista de laUniversidad Católica Boliviana San Pablo. Número 11 diciembre Año 2002.