Highly Evolved
Highly Evolved is the debut studio album by Australian alternative rock band The Vines. It was released on 14 July 2002 on Capitol Records. Produced by Rob Schnapf, known for his collaboration with Tom Rothrock on Elliott Smith's albums Either/Or, XO, and Figure 8, Highly Evolved was an immensely popular debut, part of a trend towards garage rock revival bands known as much for the relentless hype from the UK music press as for their music; The Vines were frequently compared to Nirvana. The debut single, "Highly Evolved", was chosen as Single of the Week by influential British music magazine NME. The magazine also voted it the 2nd best album of the year in 2002. The album was also included in the book 1001 Albums You Must Hear Before You Die. In October 2010, it was listed in the book 100 Best Australian Albums.
Recording and mastering
Highly Evolved was recorded and mixed at The Sound Factory and Sunset Sound Recorders in Hollywood, California. It was recorded between July 2001 and February 2002.Track listing
Personnel
; Performance- Craig Nicholls – vocals, guitar, percussion, piano and cover painting
- Patrick Matthews – organ, bass guitar, piano
- Dave Olliffe – drums on "Highly Evolved", "Autumn Shade", "Outtathaway", "Sunshinin'", "Homesick", "Country Yard", "Mary Jane" and "1969"
- Victor Indrizzo – drums on "In the Jungle"
- Joey Waronker – drums on "Get Free"
- Pete Thomas – drums on "Factory", "Ain't No Room" and "Homesick"
- Roger Joseph Manning Jr. – keyboards
- Kevin Dean – production assistant
- Ted Jensen – mastering
- Ethan Johns – additional percussion
- Rob Schnapf – additional guitars, production and mixing
- Andrew Slater – executive production
- Justin Stanley – production
- Andy Wallace – mixing
- Doug Boehm – engineering
- Steven Rhodes – additional percussion and additional engineering
- Tony Rambo – engineering
- Craig Conard – production assistant
Charts
Charts | Peak position |
Australian ARIA Albums Chart | 5 |
Billboard 200 | 11 |
Top Internet Albums | 11 |
UK Albums Chart | 3 |