food writer Rachel Samstat and Washington, D.C. political columnist Mark Forman meet at a mutual friend's wedding. Both have been married before and Mark has a reputation for being a serial womanizer. After a whirlwind courtship, the two marry, despite Rachel's reservations. They purchase a dilapidated Georgetown townhouse and Rachel struggles to adapt to being a wife in Washington's political high society. The ongoing renovations of their house create some stress in Mark and Rachel's marriage, but they are brought closer together when Rachel discovers she is pregnant. Rachel experiences a difficult labor in which the baby's life is briefly threatened, but she gives birth to a healthy baby girl named Annie. Soon after, Rachel discovers evidence of Mark's extramarital affair with socialite Thelma Rice during her pregnancy with her second child. She leaves him and takes their daughter to New York, where she moves in with her father and gets her job back as a food writer. Although she insists that she has left him for good, Rachel is dismayed when he fails to call her after several days. She inadvertently leads a burglar to a group therapy session she is attending in her therapist's apartment; he robs the group and takes Rachel's wedding ring. Just after, Mark arrives and asks her to come back, insisting he will never see Thelma again. Rachel gives birth to their second child, but struggles to fully forgive Mark. She spreads a nasty rumor about Thelma having chlamydia but is caught out by Mark. The New York police return Rachel's wedding ring after they catch the burglar. When she takes it to the jeweler's to get the stone tightened, she discovers that Mark has bought a very expensive necklace, which coincides with Thelma's birthday. Realizing that he has returned to the affair, Rachel sells her wedding ring and leaves with both her children for New York, this time for good.
On review aggregator website Rotten Tomatoes, the film holds an approval rating of 45% based on 20 reviews, with an average rating of 5.5/10. On Metacritic, the film has a weighted average score of 49 out of 100, based on 11 critics, indicating "mixed or average reviews". Audiences polled by CinemaScore gave the film an average grade of "B-" on an A+ to F scale. Roger Ebert of the Chicago Sun-Times called it "a bitter, sour movie about two people who are only marginally interesting" and placed much of the blame on screenwriter Nora Ephron, who "should have based her story on somebody else's marriage. That way, she could have provided the distance and perspective that good comedy needs." He felt "she apparently had too much anger to transform the facts into entertaining fiction." Variety thought it was "a beautifully crafted film with flawless performances and many splendid moments, yet the overall effect is a bit disappointing" and added, "While the day-to-day details are drawn with a striking clarity, Ephron's script never goes much beyond the mannerisms of middle-class life. Even with the sketchy background information, it's hard to tell what these people are feeling or what they want." Pauline Kael of The New Yorker wrote: "The movie is full of talented people, who are fun to watch, but after a while the scenes that don't point anywhere begin to add up, and you start asking yourself: 'What is this movie about?' You are still asking when it's over, and by then a flatness, a disappointment, is likely to have settled over the fillips you'd enjoyed," noting that "hough Ephron is a gifted and a witty light essayist, her novel is no more than a variant of a princess fantasy: Rachel, the wife, is blameless; Mark, the husband, is simply a bad egg—an adulterer. And, reading the book, you don't have to take Rachel the bratty narrator very seriously; her self-pity is so thinly masked by humor and unabashed mean-spiritedness that you feel that the author is exploiting her life—trashing it by presenting it as a juicy, fast-action comic strip about a marriage of celebrities." Leonard Maltin gave the film three stars out of a possible four, and wrote "Lightweight, superficial story is supercharged by two charismatic stars, who make it a must see."
Box office
The film opened in 843 theaters in the United States on July 25, 1986, and earned $5,783,079 during its opening weekend, ranking number two at the box office behind Aliens. It eventually grossed a total of $25,314,189 in the US.
