Grigor Khanjyan was a highly celebrated Soviet-Armenian artist, painter, and illustrator. He is most notable for his illustrations of historical novels and poems, and murals and tapestries on historical topics. In 1983 Khanjyan was appointed a member of the highest order of chivalry in Soviet art – the "People's Artist of Soviet Union".
Biography
Early years
Khanjyan was born in Yerevan, Soviet Armenia. He was the fourth and last child of Sebuh and Verginie - genocide survivors from Yerznka, who settled in Armenia in 1920. Grigor has mentioned on several occasions that a doctor had advised his mother, already in relatively advanced age, to get pregnant in order to avoid some health problems and that is the reason for him to be conceived. Soon after Sovietization of Armenia, Sebuh had to leave his main profession and become an accountant. Grigor had one elder brother who became a musician.
Education
- who was a friend of Sebuh Khanjyan - first discovered art talent in little Grigor. In 1945, Grigor finished the coursework at Terlemezian Art College in Yerevan and at the age of 19 entered the Academy of Fine Arts in Yerevan. At the Academy Khanjyan mostly studied under the guidance of the prolific thematic-compositional artist Eduard Isabekyan whose influence was strong on the style of Khanjyan's works in early years.
Nationalist painter
Khanjyan never joined the Communist Party and had opted for nationalist instead of Soviet very often. For example, for his graduation work he chose the topic of 1907 Communist Congress in London, but pictured Stepan Shahumyan instead of Joseph Stalin next to Lenin. In 1965, for the All-Soviet Exhibition of Graphic Art Khanjyan sent his illustrations of Sevak's Never-abating Bell Tower - a story of Armenian Genocide. Further, in 1966 he joined the supreme spiritual council of the Armenian Apostolic Church and befriended the Catolicos Vazgen I. For the church he created large-scale tapestries depicting episodes from Armenian history - Battle of Avarayr and Creation of Armenian Alphabet. As the tapestries were held in the Patriarchate buildings, where the common Soviet people could not enter, Khanjyan was asked by Karen Demirchyan to reproduce the works as murals at the newly finished Yerevan Arena for Sport and Music. Instead, Khanjyan created the second largest in the Soviet Union theatrical curtain - Mother Armenia - for Hamalir and followed the advice of his friend, architect Jim Torosyan and made the murals at the Yerevan Cascade. Further, he added a third part - Rebirth of Armenia - to make the murals in a form of a triptych. Thus, Rebirth of Armenia was to conclude the triptych History of Armenia with the greatest figures of 20th century Armenia on it.
named one of the main exhibition halls after Grigor Khanjyan - Khanjyan Gallery - as it is home to one of his most famous historical paintings - the mural triptych 'History of Armenia'. The Rebirth of Armenia section of the triptych was chosen as a symbolic background for US Secretary of State Hillary Clinton's speech in July 2010. In 2016 Central Bank of Armenia minted a commemorative coin with Khanjyan's tapestry 'Vardanank'.
