Golden Legend
The Golden Legend is a collection of hagiographies by Jacobus de Varagine that was widely read in late medieval Europe. More than a thousand manuscripts of the text have survived. It was likely compiled around the years 1259–1266, although the text was added to over the centuries.
from an illuminated manuscript
Initially entitled Legenda sanctorum, it gained its popularity under the title by which it is best known. It overtook and eclipsed earlier compilations of abridged legendaria, the Abbreviatio in gestis et miraculis sanctorum attributed to the Dominican chronicler Jean de Mailly and the Epilogus in gestis sanctorum of the Dominican preacher Bartholomew of Trent. When printing was invented in the 1450s, editions appeared quickly, not only in Latin, but also in almost every major European language. Among incunabula, printed before 1501, Legenda aurea was printed in more editions than the Bible and was one of the most widely published books of the Middle Ages. During the height of its popularity the book was so well known that the term "Golden Legend" was sometimes used generally to refer to any collection of stories about the saints. It was one of the first books William Caxton printed in the English language; Caxton's version appeared in 1483 and his translation was reprinted, reaching a ninth edition in 1527.
Written in simple, readable Latin, the book was read in its day for its stories. Each chapter is about a different saint or Christian festival. The book is considered the closest thing to an encyclopaedia of medieval saint lore that survives today; as such, it is invaluable to art historians and medievalists who seek to identify saints depicted in art by their deeds and attributes. Its repetitious nature is explained if Jacobus da Varagine meant to write a compendium of saintly lore for sermons and preaching, not a work of popular entertainment.
Lives of the saints
The book sought to compile traditional lore about saints venerated at the time of its compilation, ordered according to their feast days. Jacobus da Varagine for the most part follows a template for each chapter: etymology of the saint's name, a narrative about their life, a list of miracles performed, and finally a list of citations where the information was found.Each chapter typically begins with an etymology for the saint's name, "often entirely fanciful". An example shows his method:
As a Latin author, Jacobus da Varagine must have known that Silvester, a relatively common Latin name, simply meant "from the forest". The correct derivation is alluded to in the text, but set out in parallel to fanciful ones that lexicographers would consider quite wide of the mark. Even the "correct" explanations are used as the basis for an allegorical interpretation. Jacobus da Varagine's etymologies had different goals from modern etymologies, and cannot be judged by the same standards. Jacobus' etymologies have parallels in Isidore of Seville's Etymologiae, in which linguistically accurate derivations are set out beside allegorical and figurative explanations.
Jacobus da Varagine then moves on to the saint's life, compiled with reference to the readings from the Roman Catholic Church's liturgy commemorating that saint; then embellishes the biography with supernatural tales of incidents involving the saint's life.
Medieval view of Muhammad
The chapter "St Pelagius, Pope and the History of the Lombards" begins with the story of St Pelagius, then proceeds to touch upon events surrounding the origin and history of the Lombards in Europe leading up to the 7th century when the story of Muhammad begins. The story then goes on to describe "Magumeth " as "a false prophet and sorcerer", detailing his early life and travels as a merchant through his marriage to the widow, Khadija and goes on to suggest his "visions" came as a result of epileptic seizures and the interventions of a renegade Nestorian monk named Sergius. The chapter conveys the medieval Christian understanding of the beliefs of Saracens and other Muslims. It may be because of this long history that early copies of the entire work was sometimes referred to as Historia Lombardica.Miracle tales of relics
Many of the stories also conclude with miracle tales and similar wonderlore from accounts of those who called upon that saint for aid or used the saint's relics. Such a tale is told of Saint Agatha; Jacobus da Varagine has pagans in Catania repairing to the relics of St. Agatha to supernaturally repel an eruption of Mount Etna:And for to prove that she had prayed for the salvation of the country, at the beginning of February, the year after her martyrdom, there arose a great fire, and came from the mountain toward the city of Catania and burnt the earth and stones, it was so fervent. Then ran the paynims to the sepulchre of S. Agatha and took the cloth that lay upon her tomb, and held it abroad against the fire, and anon on the ninth day after, which was the day of her feast, ceased the fire as soon as it came to the cloth that they brought from her tomb, showing that our Lord kept the city from the said fire by the merits of S. Agatha.
Perception and legacy
The book was highly successful in its time, despite many other similar books that compiled legends of the saints. The reason it stood out against competing saint collections probably is that it offered the average reader the perfect balance of information. For example, compared to Jean de Mailly's work Summary of the Deeds and Miracles of the Saints, which The Golden Legend largely borrowed from, Jacobus added chapters about the major feast days and removed some of the saints' chapters, which might have been more useful to the Medieval reader.Many different versions of the text exist, mostly due to copiers and printers adding additional content to it. Each time a new copy was made, it was common for that institution to add a chapter or two about their own local saints. Today more than 1000 original manuscripts have been found, the earliest of which dates back to 1265.
Contemporary influences and translations
The Golden Legend had a big influence on scholarship and literature of the Middle Ages. According to research by Manfred Görlach, it influenced the South English Legendary, which was still being written when Jacobus' text came out. It was also a major source for John Mirk's Festial, Osbern Bokenam's Legends of Hooly Wummen, and the Scottish Legendary.By the end of the Middle Ages, The Golden Legend had been translated into almost every major European language. The earliest surviving English translation is from 1438, and is cryptically signed by "a synfulle wrecche". In 1483, the work was re-translated and printed by William Caxton under the name The Golden Legende, and subsequently reprinted many times due to the demand.
16th-century rejection and 20th-century revival
The adverse reaction to Legenda aurea under critical scrutiny in the 16th century was led by scholars who reexamined the criteria for judging hagiographic sources and found Legenda aurea wanting; prominent among the humanists were two disciples of Erasmus, Georg Witzel, in the preface to his Hagiologium, and Juan Luis Vives in De disciplinis. Criticism among members of Jacobus' Dominican order were muted by the increased reverence towards the archbishop, which culminated in his beatification in 1815. The rehabilitation of Legenda aurea in the 20th century, now interpreted as a mirror of the heartfelt pieties of the 13th century, is attributed to Téodor de Wyzewa, whose retranslation into French, and its preface, have been often reprinted.Editions and translations
The critical edition of the Latin text has been edited by Giovanni Paolo Maggioni. In 1900, the Caxton version was updated into more modern English by Frederick Startridge Ellis, and published in seven volumes. Jacobus da Varagine's original was translated into French around the same time by Téodor de Wyzewa. A modern English translation of the Golden Legend has been published by William Granger Ryan, and .A modern translation of the Golden Legend is available from Fordham University's Medieval Sourcebook.