Gerald Slota

Critical and academic texts

• Artforum Donald Kuspit on Gerald Slota, March 2019
• Photograph Magazine, "Gerald Slota; AFTER" by Jean Dykstra Jan/Feb 2019
• The New Yorker, "Telling Stories: The Art of Gerald Slota" by Siobhan Bohnacker.
• The New York Times, "Gerald Slota's Photos Paired With Neil LaBute's Words" by Elaine Louie.
• Aperture, "Because the Darkness Feeds My Soul" with Neil LaBute 2009.
• New York Observer, "The Darkroom: Neil LaBute Follows a Cruel Art Collaboration With a New Play" by Ricardo Bilton.
• Los Angeles Times, "Neil LaBute tries his hand at an art show" by David Ng and Lisa Fung.
• Palm Beach Daily News, "Imaging Eden: How photographers shaped way we see the Everglades" by Jan Sjostrom.
• HyperAllergenic, "Looking Beyond the Myths of the Everglades" by Laura C. Mallonnee.
• "The Photographer's Playbook: 307 Assignments and Ideas" Edited by Jason Fulford, Published by Aperture, 2014.
• "The Unseen Eye Photographs from the Unconscious" by W.M. Hunt, Published by Aperture, 2011.
• "American Perspectives: Photographs from the Polaroid Collection" Published by the Tokyo Photographic Art Museum Museum, 2000.
• "Criticizing Photographs" Fifth Edition, Terry Barrett, Published by McGraw Hill.
• Ricco Maresca In The Company of Two Vivid Imaginations.
• The New York Times, "Once Upon A Time 200 Years Later" by Siobhan Bohnacker.
• The 3200, NYC, Portfolio, Issue 1.
• Blow Photography Magazine, "True" Ireland, Issue 1.
• BOMB Magazine, Portfolio, by Betsy Sussler, Spring 2007.
• George Eastman House Catalogue, Found, by Alison Nordstrom, 2007.
• Fotograf #6, "Found" exhibit review by Dagmar Cujanova, 2005.
• Prague Post, "Ghosts of the Past," review by Mimi Rogers, 2005.
• Fotograph Magazin, "Gerald Slota: Found" by Dagmar Cujano.
• Art in America, Review by Jean Dykstra. 2004.
• Photography in New York: Cover and About the Cover by Jean Dykstra. 2003.
• Art News, "The New Visionaries" by Barbara Pollack. 2003.
• Photography Now, Journal fur Fotografie und Videokunst, "Ordinary Madness" 2003.
• SF Camerawork, "Everyman: A Search for the Male Form" by Nora Kabat. Vol. 29, No.1, Spring/Summer.
• The New York Times, "Amid Fragmentation, Hints of Narrative" by Barry Schwabsky, 1997
• The Record, "Picasso with a Camera" by Mary Jane Fine, September 24, 1996
• The New York Observer, "Gerald Slota's Residue of Tales; It's Not Art Brut, It's Art" by A.D. Coleman, January 15, 1996.

  Selected solo exhibitions

Commissioned works

• New York Magazine, The Haunting of 657 Boulevard in Westfield, New Jersey Artwork by Gerald Slota 2018
• VICE magazine, Exorcism. Photographs by Gerald Slota and Tim Freccia. The Photo Issue 2013.
• New Yorker, A Mistake by Awhile Sharma, Photograph by Gerald Slota.
• New Yorker, The Itch by Atul Gawnde, Photograph by Gerald Slota.
• New York Times Magazine, The Bipolar Puzzle by Jennifer Egan, Photographs by Gerald Slota.
• The New York Times, Maybe Just Drunk Enough to Remember by John Eligon, Photograph by Gerald Slota.
• The New York Times, In a Eulogy, Finding A Person by Sandeep Jauihar, Photograph by Gerald Slota.
• The New York Times, Is Hysteria Real? by Erika Kinetz, Photograph by Gerald Slota.
• The New York Times, Nurses Step Up Efforts Against Attacks by David Tuller Photograph by Gerald Slota.
• New York Magazine, The Mother Smotherer by Sam Anderson Photograph by Gerald Slota.
• Washington Post. Cracked by Ruben Castaneda, Photograph by Gerald Slota.

  Awards and honors

• Society for Photographic Education Speaker November 2018
• Mid-Atlantic Grant: New Jersey State Council on the Arts Fellowship – 2001, 2009
• Polaroid 20 x 24 Studio – Summer 1997
• MacDowell Colony – Summer 1997