The erotes are a group of winged gods in Classical mythology. They are associated with love and sexual desire, and form part of Aphrodite's retinue. The individual erotes are sometimes linked to particular aspects of love, and are often associated with same-sex desire. Sometimes the erotes are regarded as manifestations of a singular god, Eros. Stories of the erotes' mischief or pranks were a popular theme in Hellenistic culture, particularly in the 2nd century BCE. Spells to attract or repel erotes were used, in order to induce love or the opposite. Different erotes represented various facets of love or desire, such as unrequited love, mutual love or longing. The erotes were usually portrayed as nude, handsome, winged youths. The earliest known sculptured friezes depicting a group of erotes and winged maidens driving chariots pulled by goats, were created to decorate theatres in ancient Greece in the 2nd century BCE. The representation of erotes in such friezes became common, including erotes in hunting scenes. Due to their role in the classical mythological pantheon, the erotes' representation is sometimes purely symbolic or they may be portrayed as individual characters. The presence of erotes in otherwise non-sexual images, such as of two women, has been controversially interpreted to indicate a homoerotic subtext. In the cult of Aphrodite in Anatolia, iconographic images of the goddess with three erotes symbolized the three realms over which she had dominion: the Earth, sky, and water.
Retinue Members
Groups of numerous erotes are portrayed in ancient Greek and Roman art. In addition, a number of named gods have been regarded as erotes, sometimes being assigned particular associations with aspects of love.
Anteros
was the god of requited love, literally "love returned" or "counterpart love". He punished those who scorned love and the advances of others, and was the avenger of unrequited love. Anteros was the son of Ares and Aphrodite in Greek mythology, and given to his brother Eros as a playmate because Eros was lonely. In another version, Anteros arose from mutual feelings between Poseidon and Nerites. Physically, Anteros was depicted as similar to Eros in every way, though sometimes with longer hair and butterfly wings. He has been described as armed with either a golden club or arrows of lead. . Attic red-figure bobbin, ca. 470–450 BCE.
Eros
was the original, primordial god of love and intercourse; he was also worshiped as a fertility deity. His Roman counterpart was Cupid. In later myths, he was the son of the deities Aphrodite and Ares: It is the Eros of these later myths who is one of the erotes. Eros was associated with athleticism, with statues erected in gymnasia, and "was often regarded as the protector of homosexual love between men." Eros was depicted as often carrying a lyre or bow and arrow. He was also depicted accompanied by dolphins, flutes, roosters, roses, and torches.
was the god of hermaphrodites and of effeminate men. He was the son of Hermes and Aphrodite. Born a remarkably handsome boy but after the water nymphSalmacis fell in love with him and she prayed to be united forever, their two forms merged into one.
Himeros
Himeros represented desire and unrequited love. Himeros was identified by his carrying a taenia, a colourful headband worn by athletes. He is described in Hesiod's Theogony as being born alongside Aphrodite.
Hymenaeus / Hymen
or Hymen was the god of weddings, marriage, and the bridal hymen.
Pothos
Pothos was one of Aphrodite's erotes and brother to Himeros and Eros. In some versions of myth, Pothos is the son of Eros, or is portrayed as an independent aspect of him. Yet others called him son of Zephyrus and Iris. He was part of Aphrodite's retinue, and carried a vine, indicating a connection to wine or the god Dionysus. Pothos represents longing or yearning. In the temple of Aphrodite at Megara, there was a sculpture that represented Pothos together with Eros and Himeros which has been credited to Scopas. Pothos is a name for the white Asphodelus albus flower, "used at funerals".
