David John Murray Wright was an author and "an acclaimed South African-born poet".
Biography
Wright was born in Johannesburg, South Africa 23 February 1920 of normal hearing. When he was 7 years old he contracted scarlet fever and was deafened as a result of the disease. He immigrated to England at the age of 14, where he was enrolled in the Northampton School for the Deaf. He studied at Oriel College, Oxford, and graduated in 1942. His first work, a poem entitled Eton Hall, was published in 1942–43 in the journal Oxford Poetry. He became a freelance writer in 1947 after working on the Sunday Times newspaper for five years. With John Heath-Stubbs he edited the Faber Book of Twentieth Century Verse. He edited the literary magazine Nimbus from 1955 to 1956, during which time he published 19 poems, sent to him by Patrick Swift, by Patrick Kavanagh, which proved to be the turing point in Kavanagh's career. He co-founded the quarterly literary reviewX magazine which he co-edited from 1959 to 1962. His work includes three books about Portugal written with Patrick Swift, his co-founder and co-editor of X. He translated The Canterbury Tales and Beowulf. He penned an autobiography in 1969, and a biography of fellow South African poet Roy Campbell in 1961. Wright also edited a number of publications throughout the 1960s and 1970s. He held the Gregory Fellowship in Poetry at the University of Leeds. Wright was not reticent about his deafness, and his autobiography, Deafness: A Personal Account, is often used to give hearing people an insight into an experience they might not easily imagine. In 1951, he married Philippa Reid ; and Oonagh Swift in 1987. Wright lived in Braithwaite, just outside Keswick, in the Lake District of England, and became good friends with Norman Nicholson, a fellow poet, and his wife, often visiting each other. Wright died of cancer in Waldron, East Sussex, 28 August 1994.
Quotes about
"His poetry was by turns lyrical, satirical and narrative. Sometimes it was fuelled by recollections of his homeland, although he was not politically active on South African issues." – The New York Times)
"profuse, fluent, versatile" and "the foremost South African poet of his generation." – The Daily Telegraph
"It is a creative paradox that we owe to a deaf man some of the most striking images of sound in contemporary English poetry." – Geoffrey Hill, 1980
"His poetry is remarkable for its quiet intelligence and humour, and the integrity of its style. The tone is conversational, though not in the sense of reproducing a factitious chattiness; rather, it creates the lively curve of an eminently humane mind's thinking and speaking" – T. J. G. Harris, in The Oxford Companion to Twentieth-Century Poetry, ed. Ian Hamilton, p. 589.
