In 1983 Kimberlin released an LP recording entitled Ethiopia: Three Chordophone Traditions, which included her field recordings of plucked and bowed string instruments of Ethiopia, along with her extensive liner notes. She also wrote the liner notes for The Music of Nigeria: Igbo Music, an LP recording featuring the music of the Igbo ethnic group of Nigeria, where she has also conducted fieldwork. Music from her Three Chordophone Traditions LP was used in the 1999 documentary film Adwa, by Haile Gerima. In addition to African musics, Kimberlin's scholarly interests include intercultural music after 1950, American music, African-East Asian reciprocities in music, ethno-biography, global issues relating to music change, and theoretical studies in music. The Music Research Institute, of which Kimberlin serves as Executive Director, is a 501. Kimberlin joined the Institute in 1986 and has served as Executive Director since 1997. Kimberlin has taught at San Francisco State University, the University of California, Berkeley, Addis Ababa University, and the University of Ife. Kimberlin has presented papers at numerous music conferences in the United States, Europe, Nigeria, Japan, and China, including many symposia organized by the ethnomusicologist and composer Akin Euba, whose opera Chaka has been released on CD by MRI Press. She is the recipient of a Fulbright Dissertation Award, a Fulbright Teaching/Research Award, an American Council of Learned Societies grant, and a Beyond War Award recipient. Kimberlin lives in Point Richmond, California with her husband Jerome. For many years she was affiliated with the Office of the President at the University of California, Berkeley, and she also served as archivist for the Ethnomusicology Archive at UCLA.
Publications (selective list)
Kimberlin, Cynthia Mei-Ling. "Ethiopian Contemporary Popular Songs." M.A. thesis. Los Angeles: University of California, Los Angeles. Unpublished.
Kimberlin, Cynthia Tse, and Jerome Kimberlin. "The Morphology of the Masinqo: Ethiopia's Bowed Spike Fiddle". In Selected reports in Ethnomusicology 5, pp. 249–61.
Kimberlin, Cynthia Tse. "Ornaments and Their Classification as a Determinant of Technical Ability and Musical Style." In African Musicology: Current Trends: A Festschrift Presented to J. H. Kwabena Nketia, ed. Jacqueline Cogdell Djedje and William G. Carter. Atlanta: Crossroads Press. Vol. 1, pp. 265–305.
Kimberlin, Cynthia Tse. "Women, Music, and 'Chains of the Mind': Eritrea and the Tigray Region of Ethiopia, 1972-93." In Music and Gender, ed. Pirkko Moisala and Beverley Diamond. Foreword by Ellen Koskoff. Urbana, Illinois: University of Illinois Press.
"Orchestra Ethiopia 1963-1975: Halim El-Dabh, Catalyst for Music Innovation and Preservation". In Multiple Interpretations of Dynamics of Creativity and Knowledge in African Music Traditions: A Festschrift in Honor of Akin Euba on the Occasion of His 70th Birthday, ed. Bode Omojola and George Dor. Point Richmond, California: MRI Press..
Discography
1972 - Ethiopia : Barenreiter Musicaphon. LP. Anthology of African Music series; vol. 3: Three Chordophone Traditions. Recorded in 1972 in Addis Ababa, Ethiopia by Cynthia Tse Kimberlin. Re-released on CD by Auvidis/UNESCO in 1996.