The current architectural appearance dates to the 1952 Truman reconstruction, which recreated much of the 1902 renovation by the firm of McKim, Mead and White. The Truman reconstruction replaced the golden-hued Joliet stone floors, columns and pilasters with a cool gray marble. Plaster walls divided by a dado and painted cream and gold were also replaced with marble. McKim employed Roman doric columns based directly on the work of the sixteenth-century Italian architectGiacomo Barozzi da Vignola for the screen separating the cross hall and entrance hall. James Hoban's niches in the south wall were retained although their exterior trim was made less overt. Although Hoban had urn-shaped cast-iron stoves placed in them, the current niches contain busts of Presidents George Washington and Abraham Lincoln. During the Kennedy Administration restoration, interior decoratorStéphane Boudin arranged the furnishings to more closely resemble the cross hall at Malmaison. While a red carpet has traditionally been in the Cross Hall since the early 1960s, the carpet has, over time, become more detailed and the color has evolved. The current carpet, manufactured during the Clinton Administration, was designed to be more graphic, and to appear attractively in television broadcasts. The red was made more saturated, the shade slightly warmer, and a gold border of laurel leaves, medallions, and five-pointed stars, based directly on the carved stone border in the Grand Stairway, was woven into the carpet's border. The current appearance of the Cross Hall is the result of a renovation and refurbishing completed in 1997 by the Committee for the Preservation of the White House, the White House Office of the Curator, and funded by the White House Endowment Trust. A suite of upholstered gilded beech chairs and settées thought to have once belonged to James Monroe are arranged against the walls; two Empire pier tables are placed opposite the Madison suite of furniture and the gilded pier table from Monroe's original purchase for the Blue Room and restored by Jacqueline Kennedy is in the adjacent Entrance Hall.
History
The tradition of hanging presidential portraits in this hall dates to President Ulysses S. Grant. The Buchanan administration first began the tradition of keeping paintings of presidents for the White House collection. The Grants added to this collection, and hung portraits of presidents from Washington to Lincoln in the Cross Hall behind a glass screen. At that time, visitors could come to the White House on weekdays, enter through the north doors, and walk down the Cross Hall past the paintings to the East Room. With a note from a congressman, visitors could view the other "State Floor" rooms, such as the Red Room, where they could see the large Grant family portrait.
