Chavez Ravine
Chavez Ravine is a shallow L-shaped canyon in Los Angeles, California. It sits in a large promontory of hills north of downtown Los Angeles, next to Major League Baseball's Dodger Stadium. Chavez Ravine was named for Julian Chavez, a Los Angeles councilman in the 19th century who originally purchased the land in the Elysian Park area.
History
1800s
Chavez Ravine was named for Julian Chavez, the first recorded land owner in the ravine. He was born in New Mexico and moved to Los Angeles in the early 1830s. He quickly became a local leader. In 1844, Chavez purchased 83 acres of the long, narrow valley northwest of the city. There are no records of what Chavez did on his land, but during the 1850s and 1880s there were smallpox epidemics; Chavez Canyon was the location of a "pest house" which cared for Chinese-Americans and Mexican-Americans suffering from the disease.In addition to the notable Mexican-American presence, there was also a notable early Jewish-American presence in the neighborhood beginning in the 1850s. The First Jewish site in Los Angeles was a Jewish cemetery located in Chavez Ravine, which opened in 1855 and was owned by the Hebrew Benevolent Society of Los Angeles, a Jewish charity which was also the first charity in Los Angeles. The Hebrew Benevolent Society purchased a 3 acre plot of barren land for the cemetery for $1 from the city. The Hebrew Benevolent Society of Los Angeles was founded in 1854 for the purpose of "…procuring a piece of ground suitable for the purpose of a burying ground for the deceased of their own faith, and also to appropriate a portion of their time and means to the holy cause of benevolence…,". The Hebrew Benevolent Society of Los Angeles received the deed to land from the Los Angeles City Council on April 9, 1855. With this land they established the first Jewish cemetery in Los Angeles at Lilac Terrace and Lookout Drive in Chavez Ravine. The site is now the current site of Dodger Stadium and the Los Angeles Fire Department's Frank Hotchkin Memorialized Training Center.
The land was very rugged which prevented further development of the area at the time.However the area did provide an important watershed and part was used by the Los Angeles Water Company for a canal bringing water from what is now Griffith Park and storing it in a reservoir in Reservoir Ravine. Some of Chavez Canyon and the surrounding hills became Elysian Park in 1886. That same year, two brick manufacturers moved into Chavez Ravine and began blasting operations in the hillsides.
1900s
In 1902, because of poor environmental conditions due to the unchecked expansion of the oil industry in the Chavez Ravine area, it was proposed by Congregation B'nai B'rith to secure a new plot of land in what is now East LA, and to move the buried remains to the new site, with a continued provision for burial of indigent people, this became the in East Los Angeles.By the early 1900s, in the hills above and around the ravine, a semi-rural Mexican-American community had grown up. Eventually, three distinct neighborhoods formed: Bishop, La Loma and Palo Verde, mostly on the ridges between the neighboring ravines. In 1913 a progressive lawyer named Marshall Stimson subsidized the movement of around 250 Mexican-Americans to these communities from the floodplain of the nearby Los Angeles River. There was a local grocery store, a local church, and Palo Verde Elementary. There was a nearby brick factory which caused local problems from the smoke and dust released. In 1926 the residents of Chavez Ravine organized to shut the company down. On August 20, 1926, the Los Angeles City Council unanimously adopted an ordinance prohibiting the blasting and zoned the area around Chavez Ravine for residential use.
1940s
Chavez Ravine was made up of the three mostly Mexican-American communities of La Loma, Palo Verde, and Bishop. In the 1940s, the area was a poor, though cohesive, Mexican-American community. Many families lived there because of housing discrimination in other parts of Los Angeles. With the population of Los Angeles expanding, Chavez Ravine was viewed as a prime, underutilized location. The city began to label the area as "blighted" and thus ripe for redevelopment. Through a vote, the Housing Authority of the City of Los Angeles, with the assistance of federal funds from the Housing Act of 1949, was designated the task to construct public housing, in large part to address the severe post-World War II housing shortage. Prominent architects Richard Neutra and Robert Alexander developed a plan for "Elysian Park Heights." The city had already relocated many of the residents of Chavez Ravine when the entire project came to a halt.1950s
The land for Dodger Stadium was purchased from some local owners/inhabitants in the early 1950s by the City of Los Angeles, using eminent domain, with funds from the Federal Housing Act of 1949. The city had planned to develop the Elysian Park Heights public housing project, which was to include two dozen 13-story buildings and more than 160 two-story townhouses, in addition to newly-rebuilt playgrounds and schools.Los Angeles-based author Mike Davis, in his controversial, often polemical, history of the city, City of Quartz, discussed the process of gradually convincing Chavez Ravine homeowners to sell. Davis asserted that with nearly all of the original Spanish-speaking homeowners initially unwilling to do so, "developers", representing the city and its public housing authority, resorted to offering immediate cash payments, distributed through their Spanish-speaking agents. Once the first sales had been completed, it is said that remaining homeowners were offered lesser amounts of money, allegedly to create a sense of community panic that people would not receive fair compensation, or that they would be left as one of the few holdouts. Some residents continued to resist, despite the pressure being placed upon them by the "developers," resulting in the Battle of Chavez Ravine, an unsuccessful ten-year struggle by a small number of remaining residents of Chavez Ravine to maintain control of their property, after the substantial majority of the area had been transferred to public ownership.
Before construction of the Elysian Park Heights project could begin, the local political climate changed greatly when Norris Poulson was elected mayor of Los Angeles in 1953. Poulson opposed the provision of public housing, claiming that it was "un-American", and support for projects like Elysian Park Heights faded. Following protracted negotiations, the City of Los Angeles was able to repurchase the Chavez Ravine property from the Federal Housing Authority at a drastically reduced price, with the stipulation that the land be used for a public purpose.
Following the "baseball referendum", promoted by the Taxpayers Committee for Yes on Baseball, which was approved by Los Angeles voters on June 3, 1958, the City made the controversial decision to trade of land at Chavez Ravine to the Brooklyn Dodgers and team's owner Walter O'Malley in exchange for land around the minor league park, Wrigley Field, with the aim of providing incentives for migration to Los Angeles. From their arrival in Los Angeles in 1958 until 1961, the Dodgers played their home games at the Los Angeles Memorial Coliseum; Dodger Stadium officially opened in 1962.
Later years
During the years when the expansion Los Angeles Angels were tenants of the Dodgers, the Angels referred to the stadium as "Chavez Ravine Stadium" or simply "Chavez Ravine". Los Angeles City Council designated the property as "Dodgertown" in October 2008. The United States Postal Service assigned postal code "Dodgertown, CA 90090" in April 2009.A number of structures from Chavez Ravine were spared demolition and sold by the developers of Dodger Stadium to nearby Universal Studios for one dollar apiece. Universal moved the structures to its back lot where they subsequently appeared in various Universal productions, most notably the 1962 film To Kill a Mockingbird. The house of Atticus Finch, for example, was an erstwhile Chavez Ravine home. However, according to the film's art director, Henry Bumstead, as cited in an article in Andrew Horton's "Henry Bumstead and the World of Hollywood Art Direction", the houses used on the Mockingbird set were actually purchased by the studio after they had been condemned and slated for demolition to make way for new freeway construction.