Walter Davis allows his brother, Ted, to set him up on a with his wife's cousin, Nadia. Nadia is shy and the two experience some awkwardness. However, as the evening goes on, Nadia begins to drink and behave in a wild manner. To make matters worse, Nadia's jealous ex-boyfriend, David, shows up and exacerbates the situation by stalking the couple all night, assaulting and attempting to assault Walter several times, even ramming Walter's car with his own. Walter ends up being driven insane by Nadia's mishaps and David's pursuit; she gets him fired at the dinner; his car is destroyed; after wreaking havoc at a party, Walter gets arrested for menacing David with a mugger's revolver. He even forces David to do a moonwalk before firing at the frightened man's feet. Nadia posts $10,000 in bail and agrees to marry David if he will help Walter avoid prison time. Before the wedding, Walter gives Nadia chocolates filled with brandy and attempts to sabotage the marriage. Chaos ensues. In the end, Nadia humiliates David by rejecting him to the delight of their guests as she and Walter decide to give their relationship another shot. The final scene shows Nadia and Walter on their honeymoon on a beach, with a two-liter bottle of Coca-Cola chilling instead of champagne.
The film was originally intended for the recently married Madonna and Sean Penn, but both backed out after the project failed to attract a director. The project moved from Handmade Films to Blake Edwards who agreed to direct contingent on script changes. The studio agreed. The movie was re-cast with Willis and Basinger. Billy Vera & The Beaters appear in the bar scene, playing several songs.
Reception
On Rotten Tomatoes the film has an approval rating of 21% based on 24 reviews. Audiences polled by CinemaScore gave the film an average grade of "B" on an A+ to F scale. Roger Ebert of the Chicago Sun-Times gave the film two and a half stars out of four and wrote, "There are individual moments in this movie that are as funny as anything Edwards has ever done, but they're mostly sight gags and don't grow out of the characters. The characters, alas, are the problem. Willis plays a nerd so successfully that he fades into the shrubbery and never really makes us care about his fate. Basinger, so ravishing in most of her movies, looks dowdy this time. Her hair is always in her eyes, and her eyes are her best feature. Most of the time I wasn't laughing. But when I was laughing, I was genuinely laughing - there are some absolutely inspired moments." Variety calls it "essentially a running string of gags with snippets of catchy dialog in-between."
