Azuma Kagami is a Japanese historical chronicle. The medieval text chronicles events of the Kamakura Shogunate from Minamoto no Yoritomo's rebellion against the Taira clan in Izokuni of 1180 to Munetaka Shinnō and his return to Kyoto in 1266. The work is also called Hōjōbon after the Later Hōjō family of Odawara, in whose possession it used to be before it was donated to Tokugawa Ieyasu. It originally consisted of 52 chapters, but the 45th is lost. In spite of its many flaws, the document is considered the most important existing document concerning the Kamakura period.
History
The Azuma Kagami was compiled after 1266 under the directive of the Hōjōshikken and is a record in diary form of events occurring in Japan. Written in a Japanized version of classical Chinese known as hentai kanbun, the massive work was incomprehensible to most Japanese until an edition with furigana glosses was published in 1626. It was given in present to shōgun Tokugawa Ieyasu in 1603, who obtained the missing section from other daimyos and then ordered the preparation and publication of the Fushimi version of the Azuma Kagami in Kokatsujiban, the old movable-type printing. This edition in turn became the basis for the present printed editions. Ieyasu considered the book as the product of historical wisdom, kept it at his side, and consulted it often.
Content
The Azuma Kagami is an enormously detailed record of different activities centering on the shōgun with almost daily entries that include even notes on the weather. It used to be considered an official Kamakura Bakufu diary, but it contains sections about events in distant areas written on the day of occurrence. Such entries are therefore believed to have been added later. Its content goes from the words and the deeds of the shōgun, officials, and military men to poems, literary pieces, descriptions of hunts, banquets and notes on the weather. It is therefore likely to be a compilation of information about the Hōjō regency period taken from Hōjō, Adachi and other noble houses archives, plus temple and shrine records. Predictably, it is heavily biased towards a Hōjō point of view but, because of its painstaking attention to details, it is nonetheless an important document to understand the Kamakura Bakufu.
Reliability Problems of the ''Azuma Kagami''
As a historical document, the Azuma Kagami suffers from reliability problems. To begin with, there are unexplained gaps in it, one being for example the three years following the death of Minamoto no Yoritomo. Whether these blanks are scattered and insignificant losses or deliberate and systematic acts of censorship is unclear, and opinions on the subject are divided. There are even dubious allegations that Ieyasu himself ordered the elimination of paragraphs he considered shameful for a famous military leader like Yoritomo. The book also shows an obvious anti-Minamoto, pro-Hōjō bias. It depicts Hōjō enemies as Minamoto no Yoriie and Kajiwara Kagetoki as evil doers in exaggerated terms. Minamoto no Yoshitsune, vice versa, is spoken of very highly, probably because he was hunted down and forced to kill himself by his brother Yoritomo. This partisanship is evident in many other cases throughout the book. For example, the episode of Shizuka Gozen, who was captured by Hōjō Tokimasa and forces loyal to Yoritomo and, according to some versions of the story, was forced to dance for the new shōgun at Tsurugaoka Hachiman-gū, flatters Hōjō Masako. Finally, it contains many factual errors.
Chinese scholar Weng Guangping read a copy of the book in China, and found it valuable but marred by errors. After struggling to obtain a complete copy, he decided to correct, expand and amend it using other Japanese and Chinese texts dealing with Japan. After seven years of work, in 1814 he finished the Wuqi jing bu, or "Emendations to the Azuma Kagami". The Wuqi jing bu had, as far as we know, two editions, one consisting of 28 and the other of 30 chapters, both handwritten. Because Weng had never been to Japan, the book had major limitations in various areas, but it nonetheless became a valuable introduction to Japan and its culture. This book has only been reprinted once, by a Japanese publisher.
