Alex Berger
Alex Berger is a producer, creator, consultant and entrepreneur in the media field. During his professional life, he created or participated in numerous, films, TV shows, digital and founded or accelerated the growth of several companies by holding various key positions such as senior Vice President and head of strategy to Pierre Lescure at Canal+, CEO of CanalNumedia, co-CEO at VivendiNet, President of MM&I as co-founder, President and CEO of TOG-The Oligarchs Group and TOP-The Oligarchs Productions.
Biography
Childhood and family
He was born March 22, 1962 in Philadelphia in the USA. He is the son of Francine Dreyfus-Berger, a French painter and Dr. Joseph Berger, PhD.In 1972, he moved to France with his parents and his sister Sylvie Berger. After a French schooling, he briefly studied at the University of Pennsylvania, then lived between the US and Europe.
He currently lives in Paris, with his wife and their three children.
Career
His start at RMC-TMC
His career started in 1982 at TMC TMC owned at the time by the Principality of Monaco. Michel Lacroix, head of programming and general manager hired him as an intern. After a few months and after coordinating the international feed for the funeral of late Princess Grace of Monaco, Jean-Claude Heberlé then CEO of RMC-TMC appointed him producer of the RMC-TMC evening news flash, at 21. Alex Berger worked on several innovative productions at TMC. It was while working at TMC that he met Alain Chabat.Real to Reel Filmworks, Inc & Revell
He left Monaco in 1984 and founded his first production company, Real to Reel Filmworks, Inc. in Los Angeles with the Baron Edmond de Rothschild & his son Benjamin de Rothschild. This company produced short programs for the rising cable industry in the US. Reel to Real participated in one of the first American animation shows based on a toy line for Revell Toys. The animation series Robotech was syndicated throughout the US and sold worldwide. Robotech was produced by Harmony Gold USA.Banque Privée Edmond de Rothschild
After selling Real to Reel, Inc, Alex Berger went back to Europe to join the banking and financial sector at Banque privée Edmond de Rothschild in Geneva as a financial analyst for media and communication as well as managing some of Baron de Rothschilds media assets and consulting for the LEICOM fund.NBdC (Newman, Berger, de Caunes)
18 months later, in 1986, he returned to Paris, France and founded NBdC with partners Tim Newman and Antoine de Caunes. NBdC rapidly became one of the leading independent production companies in France specialised in young adult television shows. NBdC notably produced:- Rock Report on Antenne 2, a weekly music magazine part of presented by Antoine de Caunes
- Rapido, a weekly music and culture magazine hosted by Antoine de Caunes and sold throughout Europe. It won several awards for its rapid pace editing, graphics and opening titles created by Jean-Baptiste Mondino and on the edge reports.
- Le glaive et la balance on M6, presented by Charles Villeneuve and co-produced by Série Limitée.
- Merci et encore bravo, Arthur Emission Impossible, le meilleur du pire.
NBdC was also active in digital design.
The U.K. RAPIDO TV
In 1989, capitalising the notorious success of the shows produced in France by NBdC, Alex Berger and his partners created Rapido TV in Great Britain. Rapido TV was a 50/50 joint venture with Richard Branson / Virgin Communications, managed by the prolific producer Peter Stuart.Rapido TV quickly became a successful provider of TV shows, also aimed towards the niche young adult segment created through NBdC. As for NBdC in France and elsewhere in Europe, Rapido TV established a distinctive tone, rythme and style that turned TV shows into brands.
- with Antoine de Caunes and Jean-Paul Gaultier on Channel4;
- Passengers.
- Around the world in 80 raves,
- Baadasss TV presented by Ice-T,
- The Girly Show,
- Unzipped,
- Carnal Knowledge...
Career at Canal +
In 1993, he was working with of Groupe Canal+, first as a producer for the show Le Meilleur du Pire presented by Pascal Bataille and Laurent Fontaine, then as a strategic development advisor for the international channel French luxury Voilà. As an advisor to the Chairman and CEO he participated in the creation of MultiThématiques S.A. that held the initial cable channels Planète, Jimmy, CinéCinéma, Cinéfil. With Michel Thoulouze he elaborated the strategy and negotiated with TCI International to sell the US cable giant to take a 34% stake and fund the international expansion of the core 4 French channels into 40 international services.November the 4th 1994, he was nominated Executive Vice President and special advisor to the CEO of the Groupe Canal+, Pierre Lescure.
It that position and as a member of the strategic and executive committees that he was directly involved in the strategy of every major development of the group between 1994 and 2000, such as
- Acquisition of Nethold and TelePiu in Italy and creation of the Canal+ entities in Europe, Canal International
- Development of CanalSatellite, first interactive digital satellite platform in the world
- Creation of StudioCanal after the acquisition of several American and European film catalogues thus becoming one biggest catalogues in Europe
- The negotiations with all US major studios for the Group's output deals. Alex Berger became the point person for all of Canal+ Group's US endeavours, relationships and partnerships notably with Warner, Fox, Disney, Sony and Universal.
Invention of Vizzavi
CanalNumedia & VivendiNet
In 1998, Alex Berger founded and became the first CEO of CanalNumedia. CanalNumedia all the gaming activities of the group and football, cinema and photography sites... In 1999 he founded and became the co-CEO of Vivendi Universal Net along with Franck Boulben.VivendiNet regrouped all digital contents of:
•Canal+/CanalNumedia,
•Havas with all of its publications and digital assets such as Scoot, bonjour !, 01.net, la Vie Financière
• and Vizzavi
•as well as all the venture capital funds and the incubator @VISO co-owned 50/50 with SOFTBANK.
Vivendi, Universal & Canal+ merge
Alex Berger was member of the both strategic committees of Canal+ and Vivendi.At the beginning of 2000, following the announcement of the merger between AOL and Time Warner, Alex Berger understood the necessity of having an offensive strategy to counter the US studio strategy of directly linking content with end users, therefore, disintermediating Canal+ and Vivendi groups as local distributors.
Once approved by Jean Marie Messier and Pierre Lescure, Alex Berger initiated the discussions with Universal. With the help of Terry Semel, former CEO of Warner Brothers, they approached Edgar Bronfman Jr, CEO of Seagram, owned by Universal. This strategy led to Vivendi, Universal and Canal+ to merge in June 2000.
After the merger was finalised in June 2000, Alex Berger was at a strategic position between Vivendi-Universal CEO Jean-Marie Messier and Canal+ Group CEO Pierre Lescure, head of content and digital. Internal politics and infighting raging, Alex Berger decided to leave Canal+ group in September 2000.
Content Participations
At the end of 2000, Alex Berger decided to go back to his entrepreneur beginnings and founded two companies: Content Participations et MM&I.Content Participations invested in companies that produced and owned content and helped in crystallizing their strategy and accelerate their growth: TV, films, web, music publishing, print and online publishing, gaming... Content Participations was both investor and advisor for these companies:
- co-producer or producer of, RRRrrrr!!!, Prète-moi ta main, Burger Quiz, and Wam Films USA with "A thousand Words"
- Source Films producer of
- Ardimages
- Bikini Films
- Script Associés
- And also to A7 Music, Insitu Systems, Realty Gaming, Inc; Intermix, Mania Entertainment
MM&I
MM&I is a consulting company for development and innovation strategy in the media field. Some of its clients were: Yahoo!, Philips, Sanoma, France24, 365 Media, LVMH group, SELL as well as some individuals, investment funds and governmental institutions. MM&I, is also a program syndicator through the label Entjoy.Via MM&I and personally, Alex Berger has been a board member for a number of companies such as UK Betting.
TOP - The Oligarchs Productions
Alex Berger & Eric Rochant are partners in The Oligarchs Productions since 2008.TOP is a production company based in Paris, developing scripted drama series in French as well as in English.
The company name came from the first TV series they developed together, The Oligarchs. TOP-The Oligarchs Productions is the production company behind Le Bureau des Légendes/The Bureau, a show created by Eric Rochant. The Bureau is distributed by Federation Entertainment and diffused by Canal + in France. In 2018, The Bureau was one of the most exported French TV shows.
Le Bureau des Légendes/The Bureau is both a critical and commercial success:
Federation Entertainment has indicated that Le Bureau des Légendes was sold in over 100 markets as of 2019 becoming one of France's all-time leading exports in scripted drama.
Le Bureau des Légendes is still one of the leading franchise series on Canal+ in France.
Some of the distinctions are:
Press international jury award – Best performance for Mathieu Kassovitz;
Press international award nominee – Best French TV Show;
French Film and Television French guild award 2015: Best TV Show;
TV Series critics association award : Best actor – Mathieu Kassovitz;
COLCOA French Film Festival: Best television jury special award;
Spectators jury best TV Show special award;
TV Series critics association award, Best Production ;
2017 : Best TV Show or TV Movie
The success of this show is twofold: one the creative talent of Eric Rochant and the way he reinvented the spy genre with an ultra-realistic take. Two, as TOP implemented a very distinctive and unique method of development and production for France.
To produce a season of 10x52’ every 12 to 15 months Alex Berger and Eric Rochant adapted US development and production methods as implemented by the WGA for decades to the French environment of droit d’auteur. Eric Rochant is, therefore, the showrunner under this industrial system that is detailed below and in the report that Alex Berger delivered to the CNC in April 2019.
The method created and developed by Alex Berger and Eric Rochant put the writing at the heart of the creative process.
The authors of Le Bureau des Légendes are:
Season 1: Éric Rochant, Camille De Castelnau, Emmanuel Bourdieu, Cécile Ducrocq
Season 2: Eric Rochant, Camille De Castelnau, Raphaël Chevènement, Cécile Ducrocq, Hippolyte Girardot, Antonin Martin Hilbert
Season 3: Éric Rochant, Camille De Castelnau, Raphaël Chevènement, Cécile Ducrocq, Emmanuel Bourdieu,
With the collaboration De Capucine Rochant
Season 4: Éric Rochant, Cécile Ducrocq, Vincent Mariette, Capucine Rochant, Gaëlle Bellan, Camille De Castelnau, Claire Lemaréchal, Quoc Dang Tran, Raphaël Chevènement, Joëlle Touma, Olivier Dujols, Dominique Baumard
Season 5: Éric Rochant, Jacques Audiard, Thomas Bidegain, Cécile Ducrocq, Capucine Rochant, Hippolyte Girardot, Dominique Baumard, Camille de Castelnau, Olivier Dujols, Raphaël Chevènement, with the collaboration of Valentine Milville
The main actors of the show are, Mathieu Kassovitz, Mathieu Amalric, Sara Giraudeau, Léa Drucker, Florence Loiret-Caille, Jonathan Zaccai, Jean-Pierre Darroussin, Artus Solaro, Zineb Triki,,, Pauline Etienne, Mathieu Demy, Alba Gaïa Kraghede Bellugi...
Berger Report (2019)
On a new organisation for scripted drama series in FranceAlex Berger was asked to write a report for the CNC on a new organisation of scripted drama in France.
The report was commissioned by the CNC to show what and how should be changed in the French market to meet the standards as well as needs in this golden age of scripted drama. The report puts in perspective the changes that need to be made within paradigm shift with the rise of the digital platforms, and how this affects the way of developing, producing and distributing TV series, taking Le Bureau des Légendes/The Bureau as an example.
https://www.cnc.fr/documents/36995/976401/Rapport+Berger+sur+une+nouvelle+organisation+de+la+fiction+s%C3%A9rielle+en+France.pdf/9737716b-6a6a-7537-8a41-e31100a75be9