¡Tango! is a 1933 Argentine musical romance film, the first film to be made in Argentina using optical sound technology Many existing stars of the Argentine stage and radio appeared in the film, but its success was limited due to poor sound quality and weak acting. ¡Tango! established a formula that would be used by many subsequent tango films.
Synopsis
¡Tango! follows a formula established by Carlos Gardel with films such as Luces de Buenos Aires in which a melodramatic story is interspersed with tango songs. However, the film had less dialog and more music, making it more like a musical revue. This format would be copied by many subsequent films. The plot is derived from tango songs. Many of these songs tell of the seduction of an innocent slum girl by a rich man who promises her a glamorous life, but who abandons her when her looks fade. The stylized and sentimental plot of ¡Tango! revolves around a young man who is abandoned by his girlfriend for an older rich man and is heartbroken. The film follows his misfortunes. The final scene has the hero, dressed as a typical compadrito, singing Milonga del 900. The song, by Carlos Gardel, ends:
I love her because I love her and therefore I forgive her. There is nothing worse than rancor to live in bitterness.
The 80-minute black and white film was directed by Luis Moglia Barth, who co-wrote the script with Carlos de la Pua. It was Argentina Sono Film's first production. The film showed strong Hollywood influence in its cinematic techniques. It was the first optical soundfeature film to be produced in Argentina, at Argentina Sono Film's new optical sound studio. The stars included the singer and actress Libertad Lamarque, the stage actor Pepe Arias, the singer Azucena Maizani and the comedian Tita Merello, all well-known theatre or tango performers. The film featured the tango orchestras of Juan de Dios Filiberto, Osvaldo Fresedo and Pedro Maffia. ¡Tango! was released in Argentina on 27 April 1933.
Reception
The approach of hiring well known performers ensured that devotees of popular theater and of radionovelas would form a ready audience for sound films. Luis Sandrini, who played "the poor kid from the barrio, immature and insecure," became the first Argentine film star. However, ¡Tango! had poor sound quality, which made it less successful than it should have been given its star-studded cast.
